Posts Tagged ‘victor fleming’

Toto finds a home at Hollywood Forever

Saturday, June 18th, 2011

 

 

 

 By Allan R. Ellenberger

 

Today fans of Toto and the Wizard of Oz gathered at Hollywood Forever Cemetery for the unveiling and dedication of the Toto Memorial. Cloudy skys turned to sun, however there were no rainbows but only smiling faces and many, many Cairn Terriers to celebrate the day.

 

Those who had part in the ceremony included Chanell O’Farrill who welcomed everyone on behave of Hollywood Forever; members of the Toto Memorial Committee, J. P. Myers, Steve Goldstein; Mark Dodge from FixNation, and Robert Baum, the great-grandson of The Wizard of Oz creator, L. Frank Baum. After the crowd sang a chorus of “Over the Rainbow,” the unveiling went off with smoothly. Many thanks go to all who participated today and Tyler Cassity, owner of Hollywood Forever who donated the land the memorial stands on. Enjoy the following photos from todays festivities.

 

 

 

Fans and several Cairn Terriers begin to gather for todays ceremony

 

 

 

These Cairns had front row seats for the unveiling

 

 

 

Claire and Robert Baum, great-grandson of author L. Frank Baum

 

 

 

Robert Baum speaks to the crowd before the unveiling

 

 

 

Waiting for the unveiling

 

 

 

 The unveiling of the Toto Memorial. From left, Robert Baum, J.P. Myers, Steve Goldstein, Mark Dodge, Tyler Cassity

 

 

 

Welcome home Toto.

(Toto sculpted by Roman Gal and the base was designed by Arsen Oganesyan)

 

 

 

Above and below, the inscriptions on either side of the memorial

 

 

 

 

 

Toto (1933-1945)

 

 

 

The Cairn Terrier Club of Southern California

 

 

 

J.P. Myers and Steve Goldstein, the brains behind the Toto Memorial Marker. Congratulations gentlemen on a job well done.

 

 

 

Olivia Francis with Toto

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Toto the Story of a Dog

Wednesday, June 15th, 2011

 

 

 

Fans of the 1939 film The Wizard of Oz will celebrate the dedication of a full size bronze memorial sculpture of Toto, Dorothy’s beloved dog on Saturday, June 18 at 11 a.m. at Hollywood Forever Cemetery, 6000 Santa Monica Blvd. To commemorate the event, following is a biography of Toto.

 

 

By Allan R. Ellenberger

 

The most indulged of all the spoiled lovelies of Hollywood during the Golden Age were the canine actors who worked in films. They had their own hotel—The Hollywood Dog Training School—where at one time, seventy-five of the best known dogs of the screen lived in tranquil comfort.

 

The school was set on a pleasant ten-acre site, covered with oaks and willows, near Laurel Canyon Boulevard five miles north of Hollywood. Three hundred feet back from the road stood a cream colored frame house and back of it were two kennels, each 150 feet long. It featured southern exposure, long runs to each kennel, a large grass playground, showers in each section, and several porcelain bathtubs with hot and cold water, an electric drier and a special kitchen where, every day, a tempting cauldron full of vegetable and beef bone soup was cooked for dinners of the distinguished boarders.

 

 

 Carl Spitz with dogs from his training school

 

The dogs, like all other actors, employed a manager—the amiable Carl Spitz—who drove as hard a bargain for his clients as any other agent in Hollywood. The German-born Spitz first took up the work of schooling dogs in Heidelberg where his father and grandfather were dog trainers. Spitz trained dogs for military and police service in World War days. He saw Red Cross dogs search for dying men in no man’s land—and he devoted his life to educating man’s best friend.

 

Leaving Germany, Spitz arrived in New York in 1926, moved briefly to Chicago and soon found himself in Los Angeles, where, the following year he opened his first dog training school at 12239 Ventura Boulevard. Sometime around 1935 he moved the facilities one mile north to a ten-acre spot at 12350 Riverside Drive, where he remained for almost twenty years. “This is a school, where dogs go to classes just like children,” Spitz said. “We have grammar school, high school and college.

 

 

 Above is the location of Carl Spitz’s first dog training school at 12239 Ventura Blvd., Studio City, CA

 

 

 Advertisement for Spitz’s school at his new location on Riverside Drive

 

 

At first his services were for the public but soon the movies came calling. The transition to sound films required Spitz to drop his verbal commands and develop a series of soundless visual hand signals.

 

His first sound film was Big Boy (1930) starring Al Jolson in which he trained two Great Danes. This one was followed by the John Barrymore classic, Moby Dick (1930). It was too expensive for studios to create their own specially trained dogs so Spitz suddenly found himself in big demand.

 

Canine stars soon began to emerge such as Prince Carl, the Great Dane appearing in Wuthering Heights (1939). The first big dog star to appear from Spitz’s stable was Buck the Saint Bernard who co-starred with Clark Gable and Loretta Young in Call of the Wild (1935). Others included Musty (Swiss Family Robinson), Mr. Binkie (The Lights that Failed) and Promise (The Biscuit Eater). However, probably the best known dog star to emerge from the Spitz kennel that is known today is arguably Toto from The Wizard of Oz (1939).

 

 

Clark Gable with Buck in Call of the Wild (1935)

 

Toto, a purebred Cairn Terrier, was born in 1933 in Alta Dena, California. She soon was taken in by a married couple without children in nearby Pasadena—they named her Terry. It soon became apparent that Terry had a problem with wetting the rug, and her new owners had very little patience with her. It wasn’t long before they sought the services of Carl Spitz’s dog training school in the nearby San Fernando Valley. Spitz put her through the usual training and in a few weeks she was no longer watering the carpet.

 

However, by the time her training was completed, Terry’s owners were late on the kennel board. Spitz attempted to contact them but their telephone had been disconnected. With nothing else to do, Carl’s wife suggested that they keep her.

 

Terry sort of became the family pet until one day Clark Gable and Hedda Hopper stopped by the kennel for some publicity on Gable’s new film, Call of the Wild. One of Carl’s dogs, Buck the St. Bernard, had a large role in the film and Hedda wanted some photos of him with Gable. That day Terry made himself known to the Hollywood people and Carl took note and the next day took her to Fox Studios to audition for a part in the new Shirley Temple film, Bright Eyes (1934).

 

 

Jane Withers and Shirley Temple with Terry in Bright Eyes (1934) 

 

Spitz put her through her paces—playing dead, leaping over a leash, barking on command—for the executives and was then presented to Shirley for the final say. Terry was placed next to a Pomeranian named Ching-Ching, who wasn’t part of the film but was Shirley’s own dog. Terry stood there for a moment, while Ching-Ching looked at her. Finally Terry rolled over, was sniffed and both dogs began running around Shirley’s dressing room. At last, Shirley picked up Terry and handed her to Spitz, grabbed her dog and skipped to the door. “She’s hired,” Shirley giggled as she left the room. Bright Eyes, which co-starred Jane Withers, would be Terry’s first film.

 

That same year Terry made another film, Ready for Love (1934) at Paramount. Next she appeared in The Dark Angel (1935) with Fredric March and Merle Oberon. Other films followed including Fury (1936) with Spencer Tracy; The Buccaneer (1938) for director Cecil B. DeMille and an uncredited part in Stablemates (1938) with Wallace Beery and Mickey Rooney.

 

 

Franciska Gaal with Terry in Cecil B. DeMille’s The Buccaneer (1938)

 

One day it was announced that MGM was going to produce L. Frank Baum’s children classic, “The Wizard of Oz.” Spitz knew that Terry was a mirror-image for Dorothy’s dog, Toto based on sketches throughout the book. So he began teaching her all the tricks from the book, and sure enough, in two months, he received a call from MGM for an audition.

 

Spitz and Terry met with the producer, Mervyn LeRoy who had been inspecting an average of 100 dogs daily for the past week. “Here’s your dog, all up in the part,” Spitz said to LeRoy when he submitted Terry for scrutiny. Terry could already fight, chase a witch, sit up, speak, catch an apple thrown from a tree, and took an immediate liking to Judy Garland. Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley and the rest of the cast were accepted on first acquaintance with the dog. On November 1, 1938, Terry won the role of Toto without a test.

 

 

 Judy Garland singing “Over the Rainbow” to Toto in The Wizard of Oz (1939)

 

Terry received a weekly salary of $125, which was more than the studio paid the Munchkins. Before filming began, Terry spent two weeks living with Judy Garland, who fell in love with her and tried to buy her from Spitz. Of course he refused. Judy’s daughter, Lorna Luft, once said that her mother told them that the dog had the worst breath in the world. “It all made us laugh,” Luft said, “because the dog was constantly put in her face [with its] silly panting, and she did everything but wince because poor little Toto needed an Altoid.”

 

Terry did everything required of her, although she hesitated at being put in a basket and standing in front of the giant wind fans, simulating a tornado. One day they were filming on the Witches Castle set with dozens of costumed “Winkies” when one of them stepped on Terry’s paw. When she squealed everyone came running including Judy who called the front office and told them that Terry needed a rest. Until Terry returned a few days later, they utilized a stand-in for her.

 

The remainder of filming went smoothly for Terry and even though she appeared in approximately fifteen films, The Wizard of Oz was ultimately her best known. When the film was released, Terry appeared along with the cast at the premiere held at Grauman’s Chinese Theater. She became so famous that her paw print brought top prices among autograph seekers. Soon she began making public appearances and became so popular, that Spitz officially changed her name to Toto.

 

 

Terry, now billed as Toto with Virginia Weidler in Bad Little Angel (1939) 

 

That year was a busy one for Toto. Besides The Wizard of Oz, Toto also made a cameo appearance in MGM’s The Women (1939) starring Norma Shearer and Joan Crawford and had a larger role in Bad Little Angel with Virginia Weidler. The next few years had her appearing in Calling Philo Vance (1940), Twin Beds (1942), and Tortilla Flat (1942), again with Spencer Tracy and Hedy Lamarr and John Garfield. Her final film was George Washington Slept Here (1942) starring Jack Benny and Ann Sheridan. That year Toto retired to Spitz’s huge facility on Riverside Drive until she died sometime in 1944. Even though several of Spitz’s dogs were interred at the Camarillo Pet Cemetery in Ventura, he chose to bury Toto on the school property.

 

Carl Spitz continued to train dogs. In 1938, he wrote a handbook, “Training your Dog,” which contained a foreword by Clark Gable. As far back as 1930 Spitz tried to get the Army to let him train dogs for war use. But nothing came of it. Finally in the summer of 1941 they took him up, in a limited way. Spitz agreed to furnish the Army fifty trained sentry dogs—at no cost. He delivered six, had twelve more under training, and already spent $1500 of his own money in the process.

 

 

 

Spitz trained the first platoon of war dogs installed in the continental United States just prior to World War II. He was an expert advisor to the War Department in Washington DC and helped formulate the now famous K-9 Corps for both the US Army and Marine Corps. He became prominent nationally as a dog obedience judge at dog shows. Carl Spitz died on September 15, 1976 and is buried at Forest Lawn in Glendale.

 

 

 Aerial view of the site of Spitz’s Hollywood Dog Training School on Riverside Drive. Toto was buried somewhere on this site.

 

Around 1958, the Ventura Freeway was being built through the San Fernando Valley and the route went through Spitz’s school, forcing him to relocate. Today the Hollywood Dog Training School is still in existence at 10805 Van Owen Street.

 

Sadly, not only did the freeway erase the school, but it also obliterated Toto’s grave.

 

It’s appropriate that Toto’s Memorial Marker is being installed at Hollywood Forever Cemetery this Saturday, June 18 at 11 a.m. Many of the people that worked with Toto are interred there including Victor Fleming, Harold Rosson (The Wizard of Oz, Tortilla Flat); Cecil B DeMille, Maude Fealy (The Buccaneer); Erville Anderson, Carl Stockdale, Franz Waxman (Fury); Arthur C. Miller (Bright Eyes); Sidney Franklin, Gregg Toldand (The Dark Angel); Ann Sheridan (George Washington Slept Here). She is in good company.

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Oscar Winners at Hollywood Forever…

Thursday, February 19th, 2009

 HOLLYWOOD FOREVER CEMETERY

Academy Award Winners!

PART ONE

 

Janet Gaynor and Oscar

 Janet Gaynor the first Best Actress

 

By Allan R. Ellenberger

 

It probably comes as no surprise that there are many Academy Award recipients residing at Hollywood Forever Cemetery. Many of Hollywood’s film pioneers rest there including several Academy of Motion Picture Arts and Sciences founders such as, Douglas Fairbanks, Cecil B. De Mille, Jeanie Macpherson, Carey Wilson, Frank E. Woods, Charles H. Christie and Jesse L. Lasky.

 

Of those interred at Hollywood Forever, there are 45 nominees that received a total of 178 nominations. Of that number there are 33 awards that were received by 27 winners. The following are the recipients in the Best Picture, Best Actress, Best Actor, Best Supporting Actor, Best Director, and Best Screenplay categories and the Honorary and Irving G. Thalberg Awards.

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BEST PICTURE

 

 

 

CECIL B. DE MILLE

Best Picture

 

The Greatest Show on Earth (1952)

 

 

 

Total Nominations: 3

 

 

dsc_0019

 

 

 

BEST ACTRESS

 

 

 

JANET GAYNOR

Best Actress in a Leading Role

 

7th Heaven (1927)

Also for Street Angel (1928) and Sunrise (1927)

 

Total Nominations: 2

 

 

Janet Gaynor grave

 

 

 

BEST ACTOR

 

 

 

PETER FINCH

Best Actor in a Leading Role

 

Network (1976)

Nomination and award were posthumous. Finch became the first posthumous winner in an acting category.

 

Total Nominations: 2

 

 

Peter Finch's grave

 

PAUL MUNI

Best Actor in a Leading Role

 

The Story of Louis Pasteur (1935)

 

Total Nominations: 6

 

 

Paul Muni grave

 

 

 

BEST SUPPORTING ACTOR

 

 

 

JOSEPH SCHILDKRAUT

Best Actor in a Supporting Role

 

The Life of Emile Zola (1937)

 

Total Nominations: 1

 

 

Joseph Schildkraut

 

 

 

BEST DIRECTOR

 

 

 

VICTOR FLEMING

Best Director

 

Gone With the Wind (1939)

 

Total Nominations: 1

 

 

Victor Fleming grave

 

 

 

JOHN HUSTON

Best Director

 

The Treasure of the Sierra Madre (1948)

 

Total Nominations: 5

 

 

John Huston grave

 

 

 

BEST SCREENPLAY

 

 

PIERRE COLLINGS

(1) Best Writing, Original Story

 

The Story of Louis Pasteur (1935)

Shared with Sheridan Gibney

(2) Best Writing, Screenplay

 

The Story of Louis Pasteur (1935)

Shared with Sheridan Gibney

 

Total Nominations: 2

 

 

 

 

Pierre Collings grave

 

 GEORGE FROESCHEL

Best Writing, Screenplay

 

Mrs. Miniver (1942)

Shared with James Hilton, Claudine West, Arthur Wimperis

 

Total Nominations: 2

 

 

George Froeschel grave

 

 

 

 

JOHN HUSTON

Best Writing, Screenplay

 

The Treasure of the Sierra Madre (1948)

 

Total Nominations: 8

 

 

 

John Huston's grave

 

 

MICHAEL KANIN

Best Writing, Original Screenplay

 

Woman of the Year (1942)

Shared with Ring Lardner, Jr.

 

Total Nominations: 2

 

 

Michael Kanin

 

 

SONYA LEVIEN

Best Writing, Story and Screenplay

 

Interrupted Melody (1955)

Shared with William Ludwig

 

Total Nominations: 2

 

 

Sonya Levien

 

 

DUDLEY NICHOLS

Best Writing, Screenplay

 

The Informer (1935)

Refused to accept his award because of the antagonism between several industry guilds and the academy over union matters. This marked the first time an Academy Award had been declined. Academy records show that Dudley was in possession of an Oscar statuette by 1949.

 

Total Nominations: 4

 

 

Dudley Nichols

 

 

 

 

IRVING G. THALBERG AWARD

 

 

 

 

CECIL B. DE MILLE

 

Irving G. Thalberg Memorial Award

 

1952

 

 

 

Cecil B. DeMille

 

 

 

 

SIDNEY FRANKLIN

 

Irving G. Thalberg Memorial Award

 

1943

 

 

Sidney Franklin's grave

 

 

 

HONORARY AWARD

 

 

 

DOUGLAS FAIRBANKS

 

Commemorative Award

 

Recognizing the unique and outstanding contribution of Douglas Fairbanks, first president of the Academy, to the international development of the motion picture (Commemorative Award).

 

  

Fairbanks tomb

 

 

   

 NEXT WEEK: PART TWO

Cinematographers, Composers, Film editors

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Victor Fleming Bio Review…

Monday, December 15th, 2008

BOOK REVIEW

‘Victor Fleming: An American Movie Master’ by Michael Sragow

 

Victor Fleming and Vivian Leigh

Victor Fleming directing Vivian Leigh in “Gone With the Wind”

  

By Wendy Smith
Los Angeles Times
December 11, 2008

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Victor Fleming strides through Michael Sragow’s eponymous biography with the panache of Rhett Butler — and no wonder, since the director helped forge Clark Gable’s onscreen persona with “Red Dust” and “Test Pilot” years before they reunited for “Gone With the Wind.”

 

Appreciatively chronicling Fleming’s work on these and other classic films, including “The Virginian,” “Treasure Island,” “Captains Courageous” and “The Wizard of Oz,” Sragow — who is a film critic at the Baltimore Sun — portrays his subject as a man’s man who enjoyed fishing, hunting, flying airplanes, riding motorcycles, driving fast cars and making love to beautiful actresses.    (Click on ‘Continue Reading’ for more)

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