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Caryl S. Fleming at Hollywood Forever

Posted by Allan Ellenberger on Dec 13th, 2009
2009
Dec 13

HOLLYWOOD FOREVER CEMETERY

Caryl S. Fleming, an immortal of magic

 

Caryl S. Fleming

Caryl S. Fleming (above) does not find a rabbit in his hat (Photo:  IBM Ring #21)

  

The Magic Castle, located at 7001 Franklin Avenue at the foot of the Hollywood Hills, is currently observing the centennial of it’s headquarters which was built by banker Rollin B. Lane in 1909. To celebrate, I will post a biography of Lane and the history of the mansion on January 2, 2010, the 47th anniversary of the organization’s opening. Today, the last in a series of articles on magic and magicians in Hollywood, is about Caryl S. Fleming, a banker and one-time film director whose true love was magic!

 

By Allan R. Ellenberger

 

Since the early days of film, Hollywood has always been the land of make-believe where tricks and sleight of hand are evident in almost every frame. Hollywood has also been a friend to the magical arts – Harold Lloyd was a lover of magic and held meetings in his expansive estate in Beverly Hills. Other Hollywood celebrities such as Chester Morris, Sterling Holloway, Ramon Novarro, Johnny Mack Brown, Gene Raymond, Max Terhune, Bert Kalmar and Edgar Bergen also had an interest in magic.

 

Caryl Stacy Fleming is a name which may not be as familiar to the magically-challenged, but yet he was the major reason for the well-being of conjuring in the Los Angeles area from 1933 to 1940.

 

Fleming was born on October 13, 1890 (although his grave marker reads 1894, official records give his actual year of birth as 1890) at Cedar Rapids, Iowa, the son of Frank Fleming and Grace Rosemary Stacy. As a child he moved with his family to Chicago, where his parents were divorced by the time he was 10 and his mother ran a boarding house on Michigan Avenue.

 

It was in Chicago that a family friend — the dean of magicians, Harry Kellar — sparked his interest in magic. He would spend time at Ed Vernello’s magic shop, learning the basics of conjuring.

 

Caryl S. Fleming

 

In 1910 he moved to New York and was educated at Columbia University. He soon found work on the legitimate stage and in early motion pictures. Around 1916 he married Constance Ethel Norton and they had a daughter, Marjorie Gladys Fleming in August 1917. That same year, he was employed by Film Craft Corporation in New York City as a motion picture director. His final film as a director was The Devil’s Partner (1923) which starred Norma Shearer. This was Shearer’s last film before being signed by Louis B. Mayer Productions (later Metro-Goldwyn-Mayer studios).

 

Eventually Caryl and Constance were divorced and he left for California in 1927 while Constance and Marjorie remained in New York. By all accounts it was a bitter divorce and reportedly he never saw his ex-wife or daughter again.

 

In California, he became involved with banking and was a director of several institutions, while still devoting himself to the organization of magicians. He was president of the Pacific Coast Association of Magicians and the associated International Alliance of Magicians and was a member of more than fifty magic clubs.

 

He was one of the founders and a one-time president of Los Magicos which met on Wednesday nights, sometimes at his Beverly Hills home. Caryl was the perfect host and loved to manufacture gimmicks in quantity and pass them out to his friends. He was a true friend to magicians everywhere and wanted to have the whole world share the fun he had found in magic. A lover of animals and an ardent amateur photographer, he also dabbled in chemistry and developed a rope cement and several chemicals for use in card tricks.

 

Fleming and ess Houdini

Caryl Fleming, 2nd row, far left with glasses. Bess Houdini in center front row. 

 

In October 1936, Fleming attended the tenth, and final, Houdini séance which was held atop the roof of the Knickerbocker Hotel in Hollywood. A close friend of Bess Houdini, Fleming sat in the inner circle with her and other distinguished magicians in a final attempt to contact her husband. However, no message was received from the great Houdini and it was announced that no further attempts would be made by his widow.

 

Many individual magicians were helped by Fleming’s counsel and directions. His advice was always constuctive, and usually in a humorous way. When he did not like some part of an act, he would say so and then do everything to help the magician change the act for the better. He was a stickler for accuracy. He credited audiences with having too much knowledge to allow a magician to get away with false claims.

 

On Labor Day, September 2, 1940, Fleming was entertaining at his Beverly Hills home (924 N. Beverly Drive). He was showing some card tricks to a friend, Joe Evedon when he suddenly complained of indigestion. He drank a glass of bicarbonate of soda but said that it didn’t seem to help. Then without warning, he slumped into Evedon’s  arms and died from a heart attack just a month shy of his 50th birthday.

 

Tributes poured in from around the country:

 

“Caryl S. Fleming was the true magician,” wrote Edward Saint, past-president of Los Magicos. “He recognized neither race, creed, nor color; and his magic vision drew no geographical borders. Anyone, anywhere in the world, if they had the love of magic in their heart, Fleming called them ‘brother.’ He was of the world, for the world, of magic.”

 

Bess Houdini wrote:

 

“Marble may coldly mark the name and passing of our friend Caryl, but the memory of his prodigious efforts and intense love of magic, the warmth of his handclasp, and his kindly friendliness is engraved on our hearts as one of the Immortals of Magic.”

 

Fleming’s funeral service was held on September 4th from Dayton’s Mortuary in Beverly Hills. Amidst an array of floral tributes, more than 250 magicians gathered to pay last homage. A Universalist minister spoke first (Fleming’s great-great-grandfather established the Universalist church). Then, Bill Larson (the father of Milt and William Larson, founders of the Magic Castle in Hollywood) spoke to those gathered:

 

“Caryl would have been successful in anything he wanted to undertake,” Larson said. “His achievements in the fields of the theater and motion pictures were pronounced. Retiring, he turned his genius to magic. In a few short years he built, in the West, one of the largest and most prosperous organizations of magic the world has ever seen.”

 

Gerald Kosky then gave the S.A.M. ritual and wand breaking rites. Later Caryl S. Fleming was interred in the Cathedral Mausoleum at Hollywood Cemetery.

 

 

Caryl S. Fleming grave

 

 

Caryl S. Fleming grave

 

 

Fleming left an estate worth almost $100,000 to his mother, Grace R. Glaser but bequeathed only one-dollar to his daughter Marjorie, who resided in Glenmoore, Pennsylvania. It was understood that a property settlement, making provisions for his daughter and former wife, was effected when the Flemings were divorced several years earlier.

 

 

Caryl Fleming and mother graves

Fleming’s mother, Grace is interred below him. She remarried shortly before her death in 1948.

 

In 1947, Fleming’s mother, Grace, married James E. Miller. When Grace died just a few months later in February 1948, she left her considerable estate to her new husband. Grace’s secretary, cousin and Irva Ross, Fleming’s fiance at the time of his death, all were named benefieciareis under an earlier will. They contested the new will, claiming that Miller, who also had an alias, had married the wealthy widow in order to obtain control of her property. The court awarded each of the three contestants a specific amount and allowed Miller to inherit the remainder of the estate.

 

The Caryl S. Fleming Trophy for the most original amateur trick of the year was soon created and awarded yearly. In 1938, Fleming had helped charter the International Brotherhood of Magicians Hollywood RING 21 which, after his death, was changed to the Caryl Fleming RING 21 and is still in existence today.

 

fleming-ring21-a 

 

A year after his death, a tribute in Genii magazine memorialized Fleming saying:

 

“Years will pass. But the name Caryl Fleming will remain firmly in the minds of magicians. We, along with hundreds of others of our conjuring craft, will see to that.”

 

I would like to thank Bill Goodwin of the Magic Castle for providing  biographical information on Caryl S. Fleming for this article.

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Harry Kellar — the Dean of Magic

Posted by Allan Ellenberger on Nov 30th, 2009
2009
Nov 30

LOS ANGELES HISTORY

 

 Harry Kellar-portrait 

 

Harry Kellar signature 

…the dean of magic

 

The Magic Castle, located at 7001 Franklin Avenue at the foot of the Hollywood Hills, is currently observing the centennial of it’s headquarters which was built by banker Rollin B. Lane in 1909. To celebrate, over the next couple of weeks I will post a biography of Lane and the history of the mansion and articles on magic and magicians in Hollywood. Today is a look at the dean of magicians, Harry Kellar, who upon his retirement, spent the last fourteen years of his life in Los Angeles and is also interred here.

 

 By Allan R. Ellenberger

 

Harry Kellar, known as the “Dean of American Magicians,” enjoyed both public recognition and financial success. His was the largest and most elaborate stage illusion show touring during the late 1800s and early 1900s. He is best known for his spectacular version of the Levitation, in which a girl mysteriously rises up from a couch, floats across the stage to the audience, then disappears into thin air. Upon his retirement in 1908, Kellar chose to spend his remaining years in Los Angeles.

 

Kellar was born Heinrich Keller on July 11, 1849 in Erie, Pennsylvania. The son of German immigrants, his father, Francis P. Keller, had been a soldier under Napoleon. At the age of ten, Harry was put to work and found employment at Carter’s pharmacy on North Park Row. One day, while experimenting with chemicals he knew to be off-limits, he blew a hole in the shop floor. Knowing his father would be harsh with him, he jumped aboard an outbound train and left Erie.

 

Now a vagabond, Harry performed a series of odd jobs and was soon taken in by a minister in upstate New York, who offered to adopt him if he would study for the ministry. However, it was a chance visit to a traveling show that displayed the conjuring of The Fakir of Ava that enchanted the youngster. Kellar later confided to Houdini that he “immediately got the urge to go on the stage… became very restless, bought books on magic and finally left my friend and benefactor.” Harry traced down the Fakir, became his assistant, and began his professional training.

 

After several false starts and some disappointing results, Harry became connected with the Davenport Brothers and Fay, celebrated mediums who were involved with the “Spiritualism” movement. Harry continued with the Davenports for four years as their business manager, learning the cabinet tricks and becoming more expert at them than the brothers themselves. During this period he traveled extensively throughout the United States.

 

Harry reportedly changed the spelling of his name to Kellar because there was another popular magician named (Robert) Heller and wanted to avoid any possible confusion. It wasn’t until 1911 that he legally changed his name to Harry Kellar.

 

 

Harry Kellar poster

 

 

Kellar was famous for his playbills and advertisements featuring imps and devils, implying, without totally stating, that his skills were really powers gained through dealings with dark forces. This enticing idea brought people to his show in droves.

 

In 1873, Kellar formed a partnership with Fay, former partner of the Davenport Brothers, and as Fay and Kellar, toured Mexico and South America, acquiring an extended knowledge of the magician’s craft. Combining Kellar’s old magic tricks with a Davenport-inspired séance, was one of their showstoppers. After a shipwreck in 1875 on their trip to England left them destitute, Fay left the act to rejoin the Davenports.

 

On his return to the United States, Kellar joined Ling Look and Yamadura, billing themselves as Royal Illusionists, setting out on a tour of South America, Africa, Australia, India, the Philippines, Japan and China. While performing in China in 1877, both of his partners died, and for a time he toured alone.

 

For five years beginning in 1879, he traveled with J. H. Cunard under the name of Kellar & Cunard, giving exhibitions in Asia and Egypt. In 1882, Kellar was performing in Melbourne, Australia and met a fan, Eva Lydia Medley, who wanted his autograph. Kellar was smitten and promised to correspond with her while on the road. They exchanged letters for the next five years.

  

Kellar specialized not so much in feats of sleight-of-hand, as in other branches of the magicians art, more particularly those involving the use of apparatus, many of which Kellar was the originator, and are still models in magic today.

 

 

  Harry Kellar poster

  Harry Kellar poster

 

 

One of Kellar’s more popular illusions was The Levitation of Princess Karnac. One version of this was later purchased by Harry Blackstone, Sr., who used the trick for many years. Others included the Vanishing Birdcage, the Vanishing Lamp, and his automation Psycho, which was a popular attraction wherever it played.

 

Kellar returned to the United States in 1884 and began appearing alone and played here continuously. Eventually Eva arrived in America and played the cornet in the show and began learning about magic. They were married on November 1, 1887 at a church in Kalamazoo, Michigan and she continued to play an important role in his shows.

 

Kellar’s strength was his presentation. Over the next twenty years, he became one of the best known magicians in the world and once performed “The Nested Boxes” illusion at the White House for President Theodore Roosevelt and his children.

 

On May 16, 1908, Kellar retired and in a grand onstage ceremony at Ford’s Theatre in Baltimore, removed his cape and placed it on the shoulders of his chosen successor, Howard Thurston. Not long after, Kellar and his wife retired to Los Angeles where his sister Anna Marie lived. They bought a house at 698 Wilshire Place (demolished) and it was here that Eva died sometime before 1910.

 

 

Harry Kellar and Houdini

 

 

At the end of his career, Kellar befriended Harry Houdini, who idolized the elder magician. Houdini was a frequent guest at Kellar’s Wilshire Place home. Much of what is known about Kellar comes through Houdini, who conducted several interviews to help chronicle the history of magic. Houdini, in his fight to unmask fake mediums, once admitted that there was only one man who knew more about them than he did – Dean Harry Kellar.

 

Houdini once announced that he would perform the bullet catching feat, which had already killed several magicians, at an upcoming convention of the Society of American Magicians. Kellar got wind of it and fired off a letter. “Don’t try the damn bullet catching trick,” he warned, “no matter how sure you may feel of its success. There is always the biggest kind of risk that some dog will ‘job’ you. And we can’t afford to lose Houdini.”

 

Few men were more stubborn than Houdini, but he was no fool. He knew that Kellar had investigated the stunt himself and assumed that there must be more than enough reason for such strong advice. Houdini quietly withdrew his plan.

 

On September 7, 1917, a banquet in Kellar’s honor was held at the Angelus Hotel on the corner of Fourth and Spring Streets. After the meal, each magician gave exhibitions of their skill. Kellar demonstrated his famous “Kellar Rope Tie” and string tricks, and even those who assisted could not solve them.

 

Two months later, on November 11, 1917, Houdini convinced Kellar to perform once more. The event was an enormous show held at New York’s Hippodrome to benefit the families of soldiers who perished when the USS Antilles was sunk by a German U-boat.

 

After his performance, Kellar started to leave, but Houdini stopped him, saying that “America’s greatest magician should be carried off in triumph after his final public performance.” The members of the Society of American Magicians helped Kellar into the seat of a sedan chair, and lifted it up. The 125-piece Hippodrome orchestra played “Auld Lang Syne” while Kellar was slowly carried away.

 

 

Harry Kellar grave

 

 

At some point, Kellar moved in with his sister Anna Marie Buck at 460 S. Ardmore Avenue (demolished) near S. Normandie and 5th Street. It was here that Harry Kellar died after a brief illness on March 10, 1922. He was interred at Rosedale Cemetery but his grave was unmarked for almost 80 years until 2001 when the Academy of Magical Arts, who are headquartered at Hollywood’s Magic Castle, placed a stone there.

 

 

Click below to view a 16 second film of Harry Kellar with Houdini.

 

 

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Harry Blackstone in Hollywood

Posted by Allan Ellenberger on Nov 24th, 2009
2009
Nov 24

HOLLYWOOD-ENDINGS

The Great Blackstone

 

Blackstone

  

Hollywood-Endings tells of celebrities who have died within the environs and boundaries of the community of Hollywood

  

The Magic Castle, located at 7001 Franklin Avenue at the foot of the Hollywood Hills, is currently observing the centennial of it’s headquarters which was built by banker Rollin B. Lane in 1909. To celebrate, over the next couple of weeks I will post a biography of Lane and the history of the mansion and articles on magic and magicians in Hollywood. Today, when magician Harry Blackstone retired, he moved to Hollywood and settled in an apartment just a few blocks from Grauman’s Chinese and the Magic Castle.

 

By Allan R. Ellenberger

 

Harry Blackstone, regarded as the last of the great golden-age magicians, and ranked with such wizards as Houdini, Herrmann the Great, Harry Kellar and Thurston, died at his Hollywood apartment on November 16, 1965 after a four-month illness.

 

Blackstone was born Harry Boughton on September 27, 1885, the fourth of eight children of a Chicago florist. In 1897, he saw his first magician – Harry Kellar, doing a rope escape trick. The young boy was captivated and began the slow process of learning sleight of hand.

 

In 1904 he began his stage career, when, with his brother Peter, he appeared in an act called “Straight and Crooked Magic.” Later, he shortened his name and the act was billed as the “Bouton Brothers.” The brothers toured the vaudeville circuit where Harry became the “master magician” of the act..

 

Later, he changed his stage name to Frederick the Great, however, during World War I, that name became unpopular. One day he was standing in front of the Blackstone Hotel in Chicago talking to an agent about changing his name. The agent pointed to the hotel marquee and said: “There’s your new billing – Blackstone the Great.”

 

News that Blackstone and his mahogany magic wand would be appearing brought pleasure to young and old, for Blackstone was a superb technician who could devote a two-hour stage show to nothing but tricks.

  

 

 

 BLACKSTONE

   

 

 

“It (magic) doesn’t need to be sleight of hand. It’s nothing but pure psychology – applied in the right place.

 

“If the leaders of the world would turn their talents to a little more magic, or psychology, there wouldn’t be so much hurt and misery. Politicians are nothing more than magicians anyhow. They put people under a spell.”

 

— Harry Blackstone

 

Blackstone was primarily an illusionist who shunned the use of trapdoors, mirrors or wires. He could saw a woman in half, make her float above ground and then thrust her into a cabinet lined with lighted light bulbs that could pass through her body. He used the same cabinet to cut the woman into three separate but equal parts.

 

In the Hindu rope trick, a boy climbed a rope and disappeared. The dancing handkerchief was just that – a borrowed man’s handkerchief placed on the floor and made to dance to a foxtrot.

 

Another trick was the vanishing donkey, in which a live animal disappeared before the astonished eyes of the audience. Using dozens of rabbits in his act, he once estimated giving away 80,000 of the creatures during his career.

 

When he would dine with friends, he liked to startle them by reaching into the air and finding oranges or bananas there, or by taking a salt shaker and violently pounding it through the table and reaching underneath to bring it up.

 

Blackstone once performed at the White House for President Calvin Coolidge. He stole the President’s fountain pen, pulled a rabbit from the pocket of Secretary of the Treasury Andrew W. Mellon and palmed the wallet of Secretary of State Frank B. Kellogg.

 

“This man’s a magician,” the President dryly remarked. As he left, Blackstone made the pistol vanish from the holster of the guard on duty.

 

Blackstone retired in 1959 and moved to Hollywood two years later. He made two known appearances after that – at the Pasadena Civic Auditorium for a “It’s Magic” extravaganza and was the subject of the television show, This is Your Life, hosted by Ralph Edwards, both in 1960.

 

 

1749 N. Sycamore Avenue

1749 N. Sycamore Avenue, Hollywood where Harry Blackstone died in his apartment on November 16, 1965. (NOTE: This is a private residence. Please do NOT disturb the occupants)

 

Harry Blackstone moved to 1749 N. Sycamore Avenue, apartment 19, in the heart of Hollywood, just a few blocks from Grauman’s Chinese Theater and the Magic Castle, where he reportedly made appearances during his last few years.

 

During the summer of 1965, the 80 year-old Blackstone took ill and spent a month in Good Samaritan Hospital. On November 16, he died in his N. Sycamore apartment, apparently from pulmonary edema. At his bedside were his wife, Elizabeth, and his manager Charles McDonald. His son, Harry Jr., also an accomplished magician, was on tour in Florida.

 

There was no funeral, however his body was cremated at Hollywood Cemetery and his cremains sent to Colon, Michigan where a service was held. Harry Blackstone was buried at Lakeside Cemetery in Colon.

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Colleen Moore on Magic in Hollywood

Posted by Allan Ellenberger on Nov 19th, 2009
2009
Nov 19

CELEBRITY FIRST-PERSON

Magic — one of filmland’s chief sources of pastime

 

Colleen Moore

 

The Magic Castle, located at 7001 Franklin Avenue at the foot of the Hollywood Hills, is currently observing the centennial of it’s headquarters which was built by banker Rollin B. Lane in 1909. To celebrate, over the next couple of weeks I will post a biography of Lane and the history of the mansion and articles on magic and magicians in Hollywood. Today is a commentary by film star, Colleen Moore that appeared in the Los Angeles Times on November 27, 1927.

 

By Colleen Moore
Los Angeles Times
November 27, 1927

 

I never realized until I became interested in the art of magic how many other persons in the screen world are also fond of sleight of hand. I supposee it remains one of the most fascinating hobbies in existence and once you become more or less familiar with it you realize what a widespread thing it is.

 

I heard the other day that the Prince of Wales is intrigued by it. When he was in Canada not long ago (Max) Malini, the well-known magician, was in his party. Royalty has always been prominent among the devotees of legerdemain.

 

Int'l Brotherhood of Magicians

 

I wonder how many know that  there are a number of magazines devoted to magic? There is one magazine called the Sphinx which seems to be read by magicians everywhere. The Linking Ring is another. In England the Magic Wand and the Magician lead the field. In these, new tricks are described and the activities of magical societies are announced.

 

Everywhere there are organizations of magicians. The Society of American Magicians, of which the late Houdini was president, has a membership of 1,500, with branches in all the big cities. The International Brotherhood of Magicians also has a large membership. There are two societies right in Los Angeles — the Los Angeles Society of Magicians and the Hollywood Mystic 27.

 

I have discovered that among others Harold Lloyd, Neil Hamilton, Raymond McKee, King Vidor, T. Roy Barnes and Burr McIntosh are interested in the practice of conjuring.

 

Colleen Moore

 

I am told that throughout the world there are great magical repositories where the apparatus is manufactured and sold. There is one in Los Angeles that turns out beautiful illusions, as well as smaller tricks and it is like an Aladdin’s palace of wonder.

 

For the person who does not boast some other accomplishment, such as singing or instrumental music, magic is a wonderful form of social entertainment. Nearly everyone enjoys books on the subject and I can assure you that there is a lot of psychology involved. One’s wits are increased and observation developed. I am sure a great magician is a wonderful psychologist.

 

I wonder how many outside the art realize that one of the world’s greatest magicians lived and died in Los Angeles. I refer to Harry Kellar, known as the dean of American magicians. For years he was one of the foremost exponents of the art, a rival of the late Alexander Herrmann and succeeded by Thurston.

 

Thurston

 

I don’t expect to become a profound student, but I do find a lot of relaxation and amusement in the art, which has as one of its slogans, “The closer you watch the less you see.”

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Tour of Rosedale Cemetery…

Posted by Allan Ellenberger on Mar 1st, 2009
2009
Mar 1

LOS ANGELES CEMETERIES

Angelus Rosedale Cemetery

 

Angelus Rosedale Cemetery

 

By Allan R. Ellenberger

 

Yesterday was a typical sunny day in California and a perfect morning to spend in a cemetery. I attended a walking tour at Angelus Rosedale cemetery sponsored by the Studio for Southern California History.

 

 

Steve Goldstein and Joe Walker

 

Our tour guides for the day were author Steve Goldstein and Los Angeles criminal history expert, Joe Walker (above).  

 

Steve is the author of, LA’s Graveside Companion: Where the V.I.P.s R.I.P. which is on bookstands now from Schiffer Books.

 

The tour was a comination of film stars, Los Angeles historic figures, murder victims and killers. Angelus Rosedale Cemetery is located at 1831 W. Washington Blvd.

 

Here are just a few of the residents that were covered in Saturday’s tour:

 _________

  

 

 

 

 

 

 

 

HATTIE MCDANIEL

 

Hattie McDaniel's grave

 

Academy Award winning actress for

Gone With the Wind (1939).

 

 

DOOLEY WILSON

 

Dooley Wilson's grave

 

Actor besy-known for his role as Sam in

Casablanca (1942).

 

ANNA MAY WONG

 

Anna May Wong's grave

 

The first Chinese-American film star and the first Asian-American to become an international star who has more than 80 film credits to her name.

 

 

PHINEAS BANNING

 

Phinneas Baning's grave

 

Southern California pioneer. Known as “The Father of the Port of Los Angeles,” he was one of the founders of the town of Wilmington, which was named for his birthplace.

 

 

DR. DAVID BURBANK

 

David Burbank

 

A New Hampshire-born dentist and entrepreneur who founded the city of Burbank, California.

 

 

CAROLINE SEVERANCE

 

Caroline Severance

 

Woman’s club leader; women’s rights activist; and abolitionist.

 

TOD BROWNING

 

Todd Browning's grave

 

Motion picture director best known for the films London After Midnight (1927), Dracula (1931) and Freaks (1932)

 

 

MARIA RASPUTIN

 

Maria Rasputin

 

Daughter of the Russian mystic Grigori Rasputin.

 

 

LOUISE PEETE

 

Louise Peete's grave

 

Infamous serial killer who was executed in the gas chamber at San Quentin at age 66. She lies in an unmarked grave.

 

 

HARRY KELLAR

 

Harry Kellar's grave

 

Magician who presented large stage shows during the late 1800s and early 1900s. A predecessor of Harry Houdini.

 

MABLE MONOHAN

 

Mable Monohan's grave

 

A once-famous roller skater who once toured on the Orpheum circuit, and was strangled with a strip of her own bed sheet. Barbara Graham was convicted of her murder though she allegedly did not actually participate. Susan Hayward played the part of Graham in the film I Want to Live and received an Academy Award.

 

 

HONORABLE WU

 

Honorable Wu

 

Chinese-American actor in such films as Stowaway (1936) and Mr. Moto Takes a Vacation (1939)

 

 

Rosedale Cemetery

 

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Rosedale Cemetery tour

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