Posts Tagged ‘Forest Lawn-Glendale’

Jeanette Loff, the Hollywood Christmas Parade’s first guest star

Monday, December 24th, 2018

The Hollywood Christmas Parade, which takes place on Sunday evening in Hollywood, is its 89th year (except for three years during World War II) with Grand Marshall Mehmet C. Oz, M.D. and other celebrities, marching bands and of course, Santa Claus.

The ‘Santa Claus Lane,’ formerly Hollywood Boulevard during the Christmas season of 1928 at Highland Avenue.

The first parade, held on December 5, 1928, was known as “Santa Claus Lane” and featured Santa and Jeanette Loff (a last-minute replacement for Lili Damita), a Hollywood starlet. That evening, crowds thronged Christmas-tree lined Hollywood Boulevard (rechristened Santa Claus Lane) from Vine Street to La Brea Avenue. With Jeanette Loff, Santa Claus drove his reindeer-drawn sleigh east on the brilliantly illuminated course to La Brea, and returned over the same route.

The “parade” continued every evening during the Christmas season with a different prominent film player (Lili Damita showed up the following evening) each night.

Jeanette Loff poses on Santa’s sleigh for the first “Santa Claus Lane” parade in 1928

However, Jeanette Loff, the first starlet of what is known today as the Hollywood Christmas Parade, is probably little known today. At the time of the first Santa Clause Lane, Loff had appeared in twelve films since 1926, working her way up to costarring parts in Hold ‘Em Yale (1928) with Rod La Rocque, Annapolis (1928) with Johnny Mack Brown and Love Over Night (1928), again with La Roque.

Jeanette Loff was born on October 9, 1905 (most records claim 1906), in Orofino, Idaho to Marius and Inga (Loseth) Loff. Studio publicity claimed that her father was a famous Danish violinist, but he was in fact a barber and later a farmer.

Photo from Lewiston High School, Idaho in 1922. Arrow points to Loff.

Attempts by Pathe to make Loff a star.

After living for a time in Wadena, Canada, the Luff’s relocated to Lewiston, Idaho. After her high school graduation, the family moved to Portland, Oregon, where Jeanette enrolled at the Ellison & White Conservatory of Music where she learned to play the pipe-organ. When a local theater needed a pipe-organ player, Jeanette got the position. She worked her way up to playing at bigger and better Portland theaters.

Loff’s nude photograph by Edwin Bower Hesser.

Loff’s discovery in Hollywood is open to several versions. Whatever her introduction to films, in 1926, with her extremely wholesome looks, she earned a bit part in Universal’s The Collegian series followed by another extra part in Young April (1926) a film for Cecil B. DeMille’s company at Pathé, where she was put under contract.

DeMille cast her in two Westerns, followed by leading roles in the two films with Rod La Rocque. Over the next few years, she costarred in several good, but not outstanding films. At some point during her early career, she also posed for nude photographs.

Scene from The King of Jazz (1930).

Shortly after appearing as the first actress to ride in Hollywood’s premier Santa Claus Lane, Loff was brought to Universal to audition for The King of Jazz (1930), a possible million-dollar film they were producing. Executives were doubting their original choice for an important leading female role when producer Paul Bern arranged for her to audition. In the audition, she sang the number, “The Bridal Veil,” in a clear lyric soprano that impressed producers to give her the part.

In 1929, Loff’s parents had divorced, and her mother Inga and two sisters, Myrtle and Irene, moved to Los Angeles (her father, Marius, remained in Oregon until his death). That same year, Jeanette was also divorced from her first husband, traveling jewelry salesman Harry Roseboom whom she had secretly married in 1927. She reportedly had affairs with Gilbert Roland, Paul Bern–who tried unsuccessfully to cast her in a film–and lyricist Walter O’Keefe.

After making three more films over the next year, she grew tired of Hollywood and moved to New York, struggling to find stage roles, appearing only in the short-lived Broadway musical, Free for All, which closed after twelve days.

St. Louis Woman (1934), Jeanette Loff’s failed attempt at comeback.

In 1933, she returned to Hollywood when she heard that Universal was planning to re-release The King of Jazz. Thinking it would revive her career, she accepted the leading role in St. Louis Woman (1934) with Johnny Mack Brown (she also worked with Brown in Annapolis) for a poverty row studio. The film did poorly, but she made two shorts and three more films that same year, none of them money-makers. Her last film was Million Dollar Baby (1934) for Monogram Pictures.

From then on, she retired from films. In 1935, she married liquor salesman, Bertram “Bert” Friedlob. The following year, Friedlob produced Bert Wheeler’s Hollywood Stars in Person revue and included Loff in the cast.

Her marriage to Friedlob was rocky; he was a womanizer who had affairs with Lana Turner and many others.

702 North Crescent Drive, Beverly Hills where Jeanette Loff ingested ammonia. (PLEASE NOTE: This is a private home. DO NOT disturb the residents)

On August 1, 1942, Loff ingested ammonia at her Beverly Hills home at 702 North Crescent Drive; she was treated for mouth and throat burns at Hollywood Presbyterian Hospital where she died three days later. Loff was only 35.

Jeanette Loff’s death certificate (click on image to enlarge)


The coroner was unable to determine if her death was accidental or a suicide. Reportedly at the time, she was suffering from a stomach ailment and accidently took the wrong bottle of medication.

However, wouldn’t she have noticed the ammonia smell? In any event, her death certificate called her death a “probable suicide.” Surprising, some in her family maintained that she had been murdered, but never publicly offered proof.

Jeanette Loff’s niche at Forest Lawn’s Great Mausoleum. Her sister Myrtle is interred with her. (Find-a-Grave)


Jeanette Loff, the Hollywood Christmas Parade’s first hostess, was cremated and interred at Glendale’s Forest Lawn in the Great Mausoleum (Protection Columbarium).

Bert Friedlob later produced several films including The Star (1952) with Bette Davis and Tyrone Power’s Untamed (1955). Friedlob died in 1956.


Peggy Shannon at Hollywood Forever

Wednesday, January 16th, 2013






By Allan R. Ellenberger


On Broadway, she was a Ziegfeld Follies girl and successful ingénue, enough so to have Hollywood take notice.  Once considered the successor to Clara Bow, the titian-haired Peggy Shannon, a pretty actress whose appearances in major roles gave her the potential for stardom, ended her life in heartbreaking loneliness.


Peggy Shannon was born Winona Sammon on January 10, 1910 in Pine Bluff, Arkansas. As a child, her interest in music led her to study the piano and violin. She hoped to be a teacher until Madge Evans came to Pine Bluff on a tour promoting her line of hats. “I was only about 10 and knew then I wanted to be in show business,” Peggy recalled.


In 1924, her mother Nancy took her and her sister Carole to visit their aunt in New York, who happened to live in the same building as Goldie Glough, the secretary of Florenz Ziegfeld, who was preparing a new Follies show. Goldie told Will Page, a press agent for Ziegfeld, about Peggy’s beauty and he had her pose for publicity pictures with Ziegfeld.


“It was just a stunt, but I didn’t know it then,” Peggy later recalled. “They took me to Ziegfeld’s New Amsterdam offices and photographed me, curls, silk gingham dress and all, with Mr. Wayburn and Mr. Ziegfeld. The next day newspapers carried the story form Ziegfeld’s office that he had signed an Arkansas newcomer. They said I could be in the chorus for a while, more to justify their story than became they wanted me.”


She appeared in The Ziegfeld Follies of 1924, along with Will Rogers, Lupino Lane and Mary Nolan (also buried at Hollywood Forever). After one season, Earl Carroll hired her for his Vanities of 1925. She kept busy during this time, modeling during the day, then after appearing in the Vanities she joined the floor shows at Texas Guinan’s.


In 1926 Peggy married actor Alan Davis. The following year Earl Carroll put her in the ingénue lead in What Anne Brought Home opposite William Hanly and Mayo Methot. For the next three years she appeared in comedic roles for William Brady, a noted producer who planned to make her a star.


That would all change when B.P. Schulberg, the head of production at Paramount saw her in Napi on Broadway and signed her to a contract. It was during this time that Paramount was recruiting many Broadway actors for film, including Sylvia Sidney, Claudette Colbert and Miriam Hopkins.



Within four days of her arrival in Hollywood, Clara Bow had her second nervous breakdown. Peggy was summoned into Schulberg’s office and was told she would replace Bow in her next picture, The Secret Call (1931) opposite Richard Arlen. “The interview was very brief,” Peggy said of her meeting with Schulberg. “He sent me away telling me I had many things to do as production started the next morning.”


She read the script and was impressed by it and somewhat staggered by the realization that the role was the most important in the film, and the longest. That meant learning hundreds of speeches. But she discovered that films were different from the stage. “I didn’t have to learn the entire role at one time,” she said. “I could study it every night and keep ahead of production.”


Peggy admitted that the assignment frightened her. “Frankly, I was scared,” she said. “I expected to be taken out of the cast any minute. I couldn’t believe that such a wonderful break had come to me. I kept thinking, ‘That’s some other girl with the same name. It really can’t be me. And if it is me, I’d better keep my enthusiasm under control.’”


Paramount’s advertisement for The Secret Call called Peggy “The new Clara Bow,” “The successor of the ‘It’ girl,” “Greatest find of the year” and “Clara Bow’s redheaded rival.” The film did well at the box-office however the reviews were lukewarm. The New York Times reported that Peggy would “be remembered as the young lady who succeeded Clara Bow, when that actress became indisposed. Miss Shannon is attractive, but The Secret Call does not present many situations calling for much more than a gentle stroll through its various scenes.”


Peggy made four more films for Paramount and a few independent films, including False Faces (1932) in which she had some good scenes with Lowell Sherman. Leaving Paramount, she signed a contract with Fox in February 1932 and appeared as a nightclub singer in The Painted Woman (1932), opposite Spencer Tracy. She was billed as Tracy’s first romantic lead. The New York Sun reported that Peggy was “improving” but Fox executives disagreed and dropped her option.



She worked as an independent in such films as Girl Missing (1933), directed by Robert Florey and Turn Back the Clock (1933) with Lee Tracy. Peggy’s career was beginning to lag and second rate films followed such as Fury of the Jungle (1933), The Back Page (1934) and The Fighting Lady (1935).


In late 1934, Peggy decided to return to Broadway in Page Miss Glory with newcomer, James Stewart. “James Stewart and Peggy Shannon are amusing as one of the bums and his fiancée,” wrote the New York Evening Post.


Then it was back to Hollywood and Universal where Lowell Sherman directed her in the lavish production of Night Life of the Gods (1935). Next it was off to Warner Brothers in the Perry Mason who-done-it, The Case of the Lucky Legs (1935). Still not happy, Peggy returned once again to the stage to do The Light Behind the Shadow. Unfortunately Peggy was replaced early in production, reportedly due to a tooth infection but rumors were that it was due to her drinking, a habit she was quickly developing.


After another failure on Broadway, Peggy reported to Republic for a film with Marian Marsh. Then it was Girls on Probation (1938) for Warner Brothers. The film co-starred Ronald Reagan and was notable as Susan Hayward’s first film.


In mid-1938, Peggy and a female companion were involved in a car accident with another driver receiving lacerations on her nose and cuts on her legs. It was rumored that alcohol was involved. Friends in the business tried to help giving her small roles but in some cases her drinking would get in the way. One of her last films was Café Hostess (1940) for Columbia.


In 1940, Peggy decided to end her fourteen year marriage to Alan Davis. She declared that he struck her on one occasion at the home of actress Wynne Gibson, who testified for her friend that he struck her “over something very inconsequential.” She added that because of her husband’s disinclination to work she had to support him as well as herself during their marriage. “He was just lazy—he played all the time,” she told the judge.


Several months later, in October 1940, Peggy married cameraman, Albert “Al” Roberts in Mexico. They set up housekeeping at 4318 Irvine Street in North Hollywood, along with their German Sheppard, Spec. By now, Peggy was forgotten by the studios and seldom received offers, causing her to drink even more.



In early May 1941, Roberts and his friend Elmer Fryer left for a few days on a fishing trip. When they returned on Sunday, May 11, Roberts found Peggy slumped dead across the kitchen table with her head on her arms; she was barefoot and clad in a sun suit. A cigarette, burned to the tip of her fingers, was in her right hand. Three glasses and a soft-drink bottle found in the sink were turned over to the Coroner to check for traces of poison. Peggy Shannon was 31. She was laid to rest at Hollywood Cemetery a few days later without much fanfare.



Roberts was devastated by Peggy’s death. He was afraid that someone might think he had something to do with her death. In a conversation with Detective William Burris, Roberts said, “Bill, you’ve got something on your mind. You don’t suspect me of Peggy’s death do you?” Burris assured him that was not the case and he was merely awaiting the report of the autopsy.


“Well, Bill,” Roberts told him, “if you have anything on your mind, get it off, because you won’t see me again.” Burris asked what he meant and Roberts told him that he was going to commit suicide. “I told him not to be like that,” Burris said, “that he had had one too many.”


Three weeks after Peggy’s death, in the early morning hours of Memorial Day, May 30, 1941, Roberts took Spec to visit Peggy’s grave at Hollywood Cemetery. Afterward he returned to his home on Irvine Street and wrote three notes: one to ‘those concerned’ and two to his sister Phoebe, who lived in Glendale.


At about dawn he called his sister and said he was going to kill himself. “Al, don’t do it,” she screamed into the phone. Suddenly she heard a shot and then, the barking of the dog. When police reached the house, Roberts was dead. A rifle was found near the body. In one hand he still grasped the telephone receiver. His body rested on the same chair where he had found Peggy’s body; like her, his head had fallen forward on the table. Two empty liquor bottles and two soft drink bottles were on the table. Nearby Spec lay whimpering.


This home, at 4318 Irvine Street in Valley Village (formerly North Hollywood), is where

actress Peggy Shannon died and her husband, Albert Roberts committed suicide.

(PLEASE NOTE: This is private property. Please DO NOT disturb the residents)


In his note Roberts wrote:


“It happens that I am very much in love with my wife, Peggy Shannon. In this spot she passed away. So in reverence to her you will find me in the same spot. No one will ever understand, as it should be. Why don’t you all try a little bit harder—it wouldn’t hurt, I can truthfully say for both of us. Adios amigos. Al Roberts.”


In a note to his sister, he expressed bitterness against those who he said, had feigned fondness for his wife during her lifetime. Although he doesn’t name them, it sounds like he could be referring to family members:


“To Phoebe. If you have to ship the stuff to China do it. They can never prove what I have done with it. Spec and I went out to the cemetery around 1 a.m. They talk so much about her flowers for Memorial Day. Well, they have never been near the grave. Mrs. Ross and I put on fresh flowers as much as we could, but them dirty leeches, they wouldn’t take her a pansy but they would take her clothes and say they love her more than life. But you stress that, honey. You know how Peg supported them. Any denials just ask them to prove how they lived all these years. Al.”


In a second note to his sister, Roberts expressed concern for his dog, Spec.


“You take Spec,” he wrote, “and ship him to Johnny. If you don’t I will never forgive you. I promised him that. All five have said they could not be bothered with him. I know Johnny and he will be great pals. Peggy has said so time and again. So, please, take him, ‘our child’ and send him on. He certainly is entitled to that. With love Al. P.S. Hey, bury me in my gray suit. Al.”


The following day, the coroner released the results from Peggy’s autopsy. Her death was apparently caused by a combination of low vitality, run-down condition and a heart attack. “A chemical analysis has not yet been completed by the Coroner,” a police representative said, “but examination so far shows no traces of poison or any bruises or marks.”


Ironically, Albert Roberts’s body was not laid next to Peggy’s, but was buried at Forest Lawn Cemetery in Glendale. Whether it was the decision of his family or Peggy’s to not have them be together, is not known.


A few weeks after Peggy’s death, her mother hired  private detectives and attorneys to investigate deeper into her daughter’s death. Nothing apparently came of their search.



Peggy Shannon’s grave at Hollywood Forever is near the southern border of Section 5 in plot 31, grave 4. Her pink tombstone is inscribed “That Red-Headed Girl, Peggy Shannon.” Her mother and sister are buried nearby.



Rest in Peace, Sid Grauman…

Wednesday, September 12th, 2012


Rest in Peace, Sid Grauman…



Chinese Theatre impresario Sid Grauman (left) with true Hollywood greats, Norma Shearer and Irving Thalberg


Late last night emergency personnel were called to Forest Lawn Cemetery in Glendale where loud noises, banging and crying were heard emanating from the Sanctuary of Benediction corridor of the Great Mausoleum.  After a brief investigation, workmen discovered the sounds were coming from the crypt of Sid Grauman, the builder of Hollywood’s Egyptian and Chinese Theatres. Evidently the great showman was turning over in his grave after the cast of the X-Factor–Simon Cowell, Britney Spears, L.A. Reid and Demi Lovato, left their handprints in cement at the forecourt of the legendary Chinese Theater. This once honored Hollywood tradition, which in the past has been reserved for the greats of film history (need it be mentioned the film hits of Cowell, Spears, Reid & Lovato??), last night was finally put out of its misery. While choices in the recent past have been questionable, one can only wonder who is next–the Kardashians? Rest in peace, Sid Grauman.



Where is Claire Windsor – Update!

Thursday, May 20th, 2010


The disappearance of Claire Windsor – UPDATE




UPDATE: A reader from Claire Windsor’s birthplace has provided some additional information behind the story of Windsor’s disappearance:


“Greetings from Cawker City, Kansas; home town of Claire Windsor and the World’s Largest Ball of Twine!  In later years, Claire confessed that Lois Weber had hatched the plan for Claire’s disappearance to get a little publicity for her upcoming film.  Poor Chaplin was not let in on the secret and it spoiled Claire and Charlie’s personal relationship.  Little Billy Windsor, Claire’s only son, learned well from the experience and later, in an effort to get his mother’s attenetion, fabricated a story that men had come to the front door of thier house and tried to kidnap him!


“Claire’s 30 hour dissapearance could have turned into career ending negative publicity if the police chief’s explanation of events had been believed.  He had surmized that Claire had probably attended a ‘snow party’ and had lost her memory ! ! !  I guess even back then, drugs were a big problem in Hollywood. “


By Allan R. Ellenberger


Claire Windsor, a Kansas-born music student who came to Hollywood to seek her fortune, was pulled out of the ranks of extras by director Lois Weber, who was casting To Please One Woman (1920) and offered her a role. An immediate success, the blonde actress became one of the busiest and best-known performers in Hollywood.


In the summer of 1921, with only four films in release in the previous six months, Windsor was enjoying her new found success as a leading lady. On Tuesday, July 12, during filming of The Blot, also directed by Weber, Windsor took a deserved day off to go horseback riding in the Hollywood hills. Early that morning she rented a horse and headed alone through the Cahuenga Pass.


When Windsor did not turn up at home (1042 Third Avenue) that evening, family members called the Hollywood police, who employed an airplane to search the hills the following morning. A group of Boy Scouts who were camping in the hills also aided in the search as did many of her friends. Charlie Chaplin offered a reward leading to her location.


By eight o’clock on Wednesday evening, Windsor had been missing for 36 hours when Stella Dodge, who lived at the intersection of Highland and Cahuenga (now part of the Hollywood Freeway), heard moans outside her home. She investigated and found Windsor lying on the lawn underneath her window. Dodge helped Windsor into her house and called Dr. C.W. Cook and the Hollywood police. An ambulance arrived and took her to Angelus Hospital at 1925 S. Trinity Street (demolished). When found, she was wearing her riding habit, which was badly torn by thorns, and she still had on her riding gloves.


A thorough examination at the hospital revealed the only external injury was an abrasion on the back of her left ear and exposure and hunger due to her long isolation in the hills. Her nose was bleeding which suggested possible internal injuries. Her pulse was low and she was unable to speak until the following morning.


It was Dr. Cook’s opinion that Windsor was thrown from her horse, suffering an injury to the back of her head, and had wandered about in the Hollywood hills until she was found semiconscious. Chaplin and other film friends rushed to the hospital once it was learned she was found.


Of course, Windsor recuperated and continued a long career that spanned three decades, 50 silent films and seven talkies. Claire Windsor died at age 80 from a heart attack on October 23, 1972 at Good Samaritan Hospital. She is buried at Forest Lawn Memorial Park in Glendale.



Ronald McDonald is dead

Sunday, April 25th, 2010


Did Ronald McDonald have one too many Big Macs?




Well, obviously not since Ronald McDonald (I know the spelling is not correct) is not a real person, at least not THAT one. And the above Ronald lived to be 98 years old so you know he never had a Big Mac. This marker was found at Forest Lawn Memorial Park in Glendale, California.



The Mystery of Life?

Saturday, October 3rd, 2009


Ah, Sweet ‘Mystery of Life’


Mystery of Life-then


THE MYSTERY OF LIFE is the largest piece of statuary in Forest Lawn Memorial Park — measuring over 17 feet in width and containing 22 life size figures. Critics regard this statur, the workd of Ernesto Gazzeri, one fo the world’s greatest sculptural masterpieces. The sculptor has chosen to leave the interpretation to each individual observer.  (from the back of the post card circa 1930s)


Mystery of Life


THE MYSTERY OF LIFE monument as it looks today. The above description must have been before they installed the reproduction of Michelangelo’s  “David” in the courtyard adjoining this garden.


The following is Forest Lawn’s religious interpretation of The Mystery of Life statue taken from a pictorial catalogue the cemetery published in 1944:




“Around the mystic Stream of Life we see grouped eighteen persons typifying many walks and stations in life. First we see…”


1.  – a boy, who is astonished at the miracle that has happened in his hand — one moment, an unbroken egg; the next moment, a chick, teeming with life. “Why?” he asks. “How does it happen? What is the answer to this Mystery of Life?” He questions…

2.  – his aged grandmother, who, he reasons, knows everything. But we see her resigned in the face of the inexplicable. Then we see…

3 and 4.  – the lovers, who believe they have found the answer to the mystery in their first kiss.

5. – the sweet girl graduate, lost in dreams, with no place as yet in her thoughts for a serious questioning of Life’s destiny.

6.  – the scientist, troubled because all his learnings, all his searchings, have not solved the mystery.

7 and 8.  – the mother, who finds the answer in the babe at her breast.

9, 10, 11, 12, 13.  – the happy family group, not really perturbed by the mystery, although even they seem to ask: “Why do the doves mate?”

14.  the learned philosopher, scratching his puzzled head in vain.

15 and 16.  – the monk and the nun, comforted and secure, confident that they have found the answer in their religion.

17.  – the atheist, the fool, who grinningly cares not at all, while

18.  – the stoic, sits in silent awe and comtemplation of that which he believes he knows but cannot explain or understand.


And, to the left of this sculpture is a private garden containing the earthly remains of Mary Pickford (1893-1979), Warner Baxter (1891-1951), Humphrey Bogart (1899-1957), evangelist Kathryn Kuhlman (1907-1976), Earl Carrol (1893-1948) and his girlfriend Beryl Wallace (1910-1948) and Joan Crawford’s ‘Mommie Dearest’ — Anna Le Sueur (1884-1958).



Michael Jackson’s Funeral

Saturday, September 5th, 2009


Sleeping in Beauty ~ Rest in Peace, Michael Jackson


Michael Jackson's casket

Michael Jackson’s casket prior to entombment (© Reuters 9/3/2009)


Check out Lisa Burks’ blog for an eyewitness report of Michael Jackson’s funeral:


“Ten weeks after his untimely death, Michael Jackson was finally laid to rest last night at Forest Lawn Glendale in the Great Mausoleum, Holly Terrace, during a much publicized private funeral.”


Click here to continue reading the article from Lisa Burks blog, “Adventures in Graving”