Posts Tagged ‘Constance Talmadge’

U.S. premiere of the restored 1922 film, “East is West” at Cinecon 50

Sunday, July 20th, 2014


The American premiere of the restored 1922 silent film, East is West at Cinecon 50





.By Allan R. Ellenberger


EAST IS WEST (Constance Talmadge Film Co., US, 1922) 70 min. 35mm (18fps), silent, b&w and tinted (reproduction through the Desmet color process), 1,436 meters. Director: Sidney A. Franklin; Producer: Joseph M. Schenck (for Constance Talmadge Film Co.); Screenplay: Frances Marion (based on the 1918 play East Is West by Samuel Shipman and John B. Hymer); Camera: Tony Gaudio; Art Direction: Stephen Goosson. Cast: Constance Talmadge (Ming Toy), Edward Burns (Billy Benson), E.A. Warren (Lo Sang Kee), Warner Oland (Charley Yong), Frank Lanning (Hop Toy), Nick De Ruiz (Chang Lee), Nigel Barrie (Jimmy Potter), Lillian Lawrence (Mrs. Benson), Winter Hall (Mr. Benson), Jim Wang (the love boat proprietor). Restored 35mm print with English (and some Chinese) intertitles. Source: EYE Film Institute’s Zaalberg Collection.


East is West, the outstanding Broadway success of 1918, written by Samuel Shipman and John B. Hymer with Fay Bainter in role of Ming Toy, ran for nearly two seasons at Manhattan’s Astor Theatre. In 1922, producer Joseph Schenck brought the story to the screen with Sidney Franklin directing, who directed Smilin’ Through. Constance Talmadge secured the coveted play, and is seen as Ming Toy, the lovely heroine. Talmadge crowned a meteoric career with her temperamentally brilliant interpretation of the role of this Chinese miss. Ming Toy, the eldest of Hop Toy’s many children, is rescued from the auction block by Billy Benson and sent to the United States in the care of Lo Sang Kee. There she continues her interest in western ways and attracts the attention of a powerful Chinatown figure, Charley Yong. When Charley Yong demands the hand of Ming Toy, she declines, causing disgrace to everyone involved.


East is West is a tremendous production produced on a lavish scale. The Baltimore News said: “Once again the movies have taken a stage play and improved on it. East is West is much better as a screen than as a stage entertainment. Constance Talmadge is at her best.”


The supporting cast is made up of Warner Oland, the villainous Charlie Yong, Edward Burns, Nigel Barrie, Winter Hall, E.A. Warren, Frank Lanning, Nick de Ruiz, Lillian Lawrence and Jim Wang. In Los Angeles, the film appeared at the downtown Kinema Theater (672 S. Grand Avenue [demolished]). The film was never shown again in the U.S. and was considered lost. Then, at the end of 2005, the film was found at the Nederlands Filmmuseum in the collection of Jan Zaalberg, who collaborated regularly with restoration projects (The Chess Player [1927] for example, came also from his collection, and was restored by Kevin Brownlow). In 2011, East is West (1922) was restored by The Netherlands EYE Institute of Film in Amsterdam Holland.


This Labor Day Weekend, Cinecon 50 is pleased to host the U.S. premiere of the EYE Institute’s new restoration of East is West.






The following, from the Eye Film Institute Netherlands, describes the restoration process:


Despite its A-list Hollywood star, producer, director, screenwriter, and cinematographer, East Is West was considered a lost film until a nitrate print from a private collection came to the Nederlands Filmmuseum in 2005. The initial inspection revealed that the first reel was in extremely bad condition, much of it crumbling into powdery chips. Nevertheless, a multi-year restoration was painstakingly undertaken.


Approximately 400 feet (six minutes) of the decaying first reel were salvaged by step printing the delicate pieces. After duplication, none of the original film strip from reel one survived. The rest of the print was in relatively good physical condition and initially looked to be complete. However, further inspection revealed many narrative gaps, particularly towards the end of the film. Dutch release prints of East Is West were documented as being 2,364 meters long, meaning the surviving copy was missing more than 900 meters (some thirteen minutes of screen time). Access to the original shooting script helped fill the gaps in the story. The restoration, therefore, includes some explanatory title cards to provide a more complete narrative.


Another restoration challenge was the print’s Dutch intertitles. The English-language release prints included pidgin English in many of the dialogue titles written for Ming Toy and others. The Dutch title cards have her speaking “broken Dutch” and her initial problems with the language are fundamental to the comedy plot. Rather than translating the Dutch back into pidgin English, this restoration used Frances Marion’s original script when possible. Where no original intertitles existed, the Dutch cards were translated in keeping with the style of the original American production.


The result testifies to the great comedic talents of its stars, Constance Talmadge and the Swedish-born Warner Oland, who became famous as Charlie Chan in sixteen films before his death in 1938. Constance was a celebrated movie star, part of the Talmadge Sisters, alongside Norma and Natalie. By 1919, she had her own production outfit, Constance Talmadge Film Company, producer of East Is West and fifteen other silent features in which she starred until her retirement at the end of the silent era. The independently produced movie was distributed in the U.S. by Associated First National Pictures.


Join fellow cinephiles at Cinecon 50, Labor Day weekend, August 28th to September 1st 2014, in Hollywood, California. For more information, please check out Cinecon’s website at:







Courthouse Wall of Fame

Monday, January 10th, 2011


Wall of Fame recalled Star’s visits to courthouse press room



Above is the County Courthouse that was located at Temple and Broadway in downtown Los Angeles where the Wall of Fame resided in the press room. Notice the low granite wall at the bottom of the photo. Remarkably, portions of this wall still remain. (lapl)



By Allan R. Ellenberger


The Civic Center in downtown Los Angeles is where several courthouses mete out their justice, sometimes to Hollywood celebrities. Before many of the building that now stands there were erected, there stood an old brownstone Courthouse located at Temple Street and Broadway. It stood for forty-five years until it was razed after being damaged in the Long Beach earthquake of March 1933.


When it was finally demolished in 1934, it took with it the old press room and its unique Wall of Fame and the signatures of stars, who for this or that reason had been in court, or the marriage license bureau. Scrawled in either pencil or crayon, one could find the names of Charlie Chaplin, Tom Mix, George Bancroft, Harry Langdon, Eugene O’Brien, Doris Kenyon, Ethel Clayton, Constance and Natalie Talmadge, Pauline Starke, Jean Harlow and Bebe Daniels. There were a lot more and each one had its own story.


Of course, not all the screen stars who appeared in court, inscribed their names on the Wall of Fame. Some, the reporters failed to corral; others could not be lured to the press room. There were some who flatly refused. Among the latter was William Powell, who had come with Carole Lombard, for a marriage license. Powell, when confronted by the wall, glared reproachfully at the reporters and demanded: “Gentlemen, isn’t anything sacred?” The reporters thought he was kidding until he turned and stalked out of the press room fairly oozing indignation.





Jack Hoxie was first to sign the wall and his signature was the largest. Oddly enough, Tom Mix’s name was one of the smallest and Charlie Chaplin’s was the hardest to read.  


And what did they appear for? Harry Langdon, asserting he had but $40 with which to pay $60,000 his divorced wife sought as property settlement. The case was dismissed and Harry was smiling when he signed the wall. Divorce also steered the Talmadge sisters into the press room. Natalie Talmadge was fighting Buster Keaton over custody of their children. Constance was a witness. The prolonged contests between Charlie Chaplin and Lita Grey Chaplin, also concerning the care of their children is well known. When the reporters tried to lure Lita to the press room she balked, saying she always wanted to know what she was expected to do before she went places with strangers.


Besides the signature of James Quirk of Photoplay magazine, was pasted the headline announcing his death. His wife, May Allison, also signed. Reporters tried to get Paul Bern to sign the wall when he and Jean Harlow applied for their marriage license, but both refused to visit the press room because they were “radiantly happy and in a terrible hurry.” A few months later, dressed in widow’s attire, Jean returned to probate Paul Bern’s will. This time she signed the wall.


Doris Kenyon, widow of Milton Sills, was considered by a majority of the court reporters, as the grandest girl to affix her signature to the Wall of Fame. They designated Polly Moran as “the hard egg with the soft heart.” Polly crashed the press room the day she appeared to legally adopt a 16-year-old boy she had taken from an orphanage when he was only a few months old.


One of the funniest incidents connected with signing the wall centered on Richard Barthelmess who was suing to recover securities alleged to have been misappropriated. His wife was with him and they consented to have a picture taken together. She sat in a chair and Barthelmess stood beside her. The photographer snapped his picture and after the couple had gone, remarked to the reporters: “I think I got a good picture of that dame but I had an awful job keeping that rube out of it, he was standing so close.” The reporters, on informing him that the “rube” was Richard Barthelmess, used language which allegedly made even the signatures on the wall blush.



Richard Barthelmess, his wife and family



The names of Ben Lyon and Bebe Daniels graced the wall as the result of the trial of Bebe’s lunatic lover.” Edna Murphy signed when she got her divorce from director Mervyn LeRoy. Gertrude Olmstead was a witness at the trial and also signed. The reporters recalled, however, that Gertrude was rather embarrassed by the ordeal of clambering on the table in order to write her name.


George Bancroft divided honors with Jack Hoxie as the most massive man to have perpetuated his signature. He appeared in court to contest an agent’s claim for $30,000 of commissions. Hoxie had been up on alimony charges.


Several of the signatures recalled the tragic death of Alma Rubens. They were obtained during the libel suit brought against Photoplay and James Quirk by Ruben’s mother, and included Eileen Percy’s and Claire Windsor’s. ZaSu Pitts was another witness, but would not sign. The reporters declared her to be the most “publicity shy” screen star they encountered. She also eluded the news-hounds when she divorced her husband, Tom Gallery. The Courthouse scribes were not certain which cases brought Tom Mix, Edwin Carewe and Mae Murray to the Wall of Fame, as their court appearances was so numerous. Legal battles over the Mix children and property disputes made Mix a familiar figure and both Mae Murray and Carewe were central figures in countless suits over property, contracts and other things. Pauline Starke’s court appearance was mainly due to the protracted battle with her former husband, Jack White.


The reporters captured director Robert Vignola and Eugene O’Brien when they appeared in court as character witnesses for a young man who had gotten into trouble and Stanley Fields immortalized himself by apprehending a burglar in his apartment.



Above a rare image of the Wall of Fame located in the County Courthouse press room 



Most of the females who signed the wall were space conservers. That is except Constance Cummings and Vivian Duncan, whose names stand out like sore thumbs. Cummings had just won a contract suit, while the half of the famous Duncan sisters won a divorce from Nils Asther on the ground of too much mother-in-law. Another signer brought to the wall by the divorce route was Lola Lane when she parted company with Lew Ayres.


Duncan Renaldo was the only signer of the Wall of Fame who had gone to jail, though this happened later than when he actually signed the wall. His name was obtained when he was the central figure in the alienation case against Edwina Booth, which came as the aftermath to a “location” trip to Africa.


Snub Pollard also appeared on the wall as did that of Lowell Sherman, whose matrimonial adventures with Pauline Garon and later with Helene Costello brought him into the press room.


When the fate of the old courthouse was sealed, the reporters lost interest in their famous wall, knowing it soon would be destroyed. The visitors of the last few months were not asked to sign. During the last two or three months there were many noteworthy eligible’s including Joan Crawford, Marlene Dietrich, Estelle Taylor, Colleen Moore and Marian Nixon. Crawford was one of the last asked to sign, the occasion being her divorce from Douglas Fairbanks, Jr. She refused. The reporters asserted she was so nervous and shaky it was doubtful if she could have written her name of the floor, much less on the wall.


Signing the Wall of Fame grew to be quite a ceremonial and somewhat of an athletic function. It was necessary to step onto a chair and then mount onto a table in order to reach the designated spot and in addition to the gentlemen of the press, court attachés and sometimes the judges themselves would assemble to witness the event. In fact, gazing up at a movie star was really something to talk about afterward.


It’s too bad that the Wall of Fame could not have been saved or moved to another location. When the new courthouse was built, there was another press room, but it was never the same.



Thanksgiving in Hollywood, 1931

Thursday, November 26th, 2009


How Hollywood stars celebrated Thanksgiving in 1931




Hollywood’s basis for Thanksgiving sometimes ranged from gratitude to an indulgent fate for the renewal of an option to thanks for a new divorce. But whatever the individual cause for thanks. the favored of filmdom in 1931 joined the rest of the country in celebrating the Thanksgiving season.


Marlene Dietrich observed the holiday entertaining a few guests and, for the occasion, allowed little Maria to dine with the grown-ups. Others who celebrated quietly at home were Dolores Costello and John Barrymore who entertained Lionel Barrymore and Helene Costello; Kay Francis and her husband, Kenneth McKenna; Buster and Natalie Talmadge Keaton, their two sons, and Norma and Constance Talmadge; Vivian Duncan and Nils Asther and their new daughter, Evelyn. The Robert Montgomery’s, also assisted their young daughter (five-week old Martha who died at 14 months of spinal meningitis) in her first Thanksgiving, while the Reginald Denny’s also had their young son to initiate.


Ruth Chatterton and Ralph Forbes travelled to Arrowhead for the occasion. Marie Dressler, accompanied by her house guest, Lady Ravensdale, and Claire du Brey, drove to the desert and dined at the La Quinta Hotel. Wallace Beery spent Thanksgiving in New York, as did Joan Crawford and Douglas Fairbanks, Jr.


Clark Gable spent the holiday in the mountains. Jimmy Durante cooked his own turkey, decorating it with  an original dressing, but declining to reveal the recipe.


Ben Lyon and Bebe Daniels celebrated the day in San Francisco with the opening of Bebe’s play, The Last of Mrs. Cheney. Janet Gaynor was Europe-bound, accompanied by her husband, Lydell Peck and mother. Maurice Chevalier  was joined by his wife, actress Yvonne Vallee,  for his first Thanksgiving. Tallulah Bankhead arrived in town for formal dinner plans. Two new sets of newlyweds — June Collyer and Stuart Erwin and Carole Lombard and William Powell — observed the day at home.


Victor MacLaglen presided over a huge dining table which was a part of the Tuder furniture imported from England for his Flintridge home.


From several places across the country, the Will Rogers clan collected in time for turkey. Will, Jr. was home from Stanford, and Jimmy arrived from Roswell, New Mexico.


Wherever you are and whatever your plans, I hope you have a fabulous Thanksgiving.