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Hollywood’s “Jinx Mansion”

Posted by Allan Ellenberger on Feb 22nd, 2017
2017
Feb 22

HOLLYWOOD HOMES

 

 

 

 

By Allan R. Ellenberger

 

At this time of year our thoughts are on ghosts and goblins and things that go bump in the night. Bad luck and superstition has followed Hollywood and those who lived and worked there long before the film people arrived.

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A house that had its share of bad luck and tragedy was built on the northeast corner of Hollywood Boulevard and Fuller Street almost 100 years ago. Louella Parsons called the home that once stood at 7269 Hollywood Boulevard, “the jinx mansion.” Over the twenty-five years of its existence, it was home to a grocery store founder, a meat packing heir and a successful film producer and his movie star wife. All experienced misfortune and heartbreak during their stay there.

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The builder and first resident of the “jinx mansion” was George A. Ralphs, the founder of Ralph’s grocery store, the largest food retailer in Southern California. There’s probably no one in Los Angeles that has not shopped at a Ralphs store at one time.

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George Albert Ralphs was born in Joplin, Missouri in 1850. His family moved to California on a prairie schooner with a yoke of oxen when he was a boy. In Kansas they joined a caravan and when they reached Colorado they were attacked by Indians. Half of the caravan became separated in the fight, and nothing was ever heard from them. It was presumed that they were massacred.

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The caravan arrived in Los Angeles after eighteen months of travel and George Ralphs was trained as an expert bricklayer. After losing an arm in an accident, he gave up bricklaying and found work as a clerk in a small grocery store. In 1873 he had saved enough money to purchase his own grocery at Sixth and Spring Streets. From then on Ralphs prospered, operating three of the largest stores in Los Angeles.

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In 1897 Ralphs married Wallula von Keith and together they had two children, Albert and Annabel. In May 1913, Ralphs began construction on a new house on a three-acre lot in Hollywood that he reportedly bought from George Dunlap, the second mayor of the town.

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Located on the north side of Hollywood Boulevard at Fuller Street, architect Frank M. Tyler was hired to design the Mission Revival house at a cost of $35,000. With a plastered exterior and a red clay tile roof, the house had sixteen rooms with three baths. The interior was richly furnished in oak and mahogany; onyx and tile mantels adorned the fireplaces. There was a tennis court on the property, and a swimming pool which was emptied often to water the citrus orchards.

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The Ralphs mansion as it looked shortly after being constructed

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On June 21, 1914, a few months after moving into the house, Ralphs took his family for a week-end outing to the San Bernardino Mountains near Lake Arrowhead. He had just gone up Waterman’s Canyon with his wife and children for an early morning stroll and, having walked a little faster than the others, sat on a boulder to wait for them to catch up.

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As his wife approached, he moved over to allow her sit beside him when the boulder, weighing about three tons, gave way and rolled twenty feet down into the canyon, carrying Ralphs with it. His leg was caught beneath the boulder and nearly torn from the socket. He was immediately rushed to the Ramona Hospital (now Community Hospital of San Bernardino) where his leg was amputated. Ralphs came out from under the anesthetic shortly after and talked to his wife for a few minutes but the shock of the operation was too great. George Ralphs died within the hour at 4:15 o’clock that afternoon.

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Ralphs body was returned to his home in Hollywood where funeral services were held. The Ralphs grocery stores were closed that day in memory of their founder. After the service, Ralphs was buried in Evergreen Cemetery.

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The grave of Ralph’s grocery store founder,

George A. Ralphs at Evergreen Cemetery

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Mrs. Ralphs owned the mansion for several years, sometimes living there and at times, renting it out to such well-known residents as Mira Hershey, owner of the Hollywood Hotel and to actor Douglas Fairbanks. On August 20, 1918, Mrs. Ralphs hosted a political garden party in honor of California Governor, William D. Stephens and as a fund raiser for the war effort.

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However, the “jinx” continued.

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In 1920 Mrs. Ralphs leased the mansion to John “Jack” P. Cudahy, the son of the millionaire meat-packer, Michael Cudahy. The town of Cudahy, California which is east of Los Angeles, was named for the family.

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In 1899, Jack Cudahy married Edna Cowin, daughter of General John Clay Cowin of Omaha. They had four children, Edna, Marie, Anne and Michael. For a time, Cudahy was general manager of his father’s packing plant in Kansas City. While there, he and his wife became estranged after Cudahy attacked Jere Lillis, the president of the Western Exchange Bank, who he suspected of having an affair with his wife. They were divorced shortly after but reconciled two years later, were remarried and moved to Pasadena, California.

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Cudahy had his problems. In 1914, he was sued for $30,000 in damages after throwing a doctor’s wife against a table. After a stint in the army, Cudahy was given a medical discharge following a nervous breakdown. He was sued by the Hotel Maryland in 1919 for failure to pay a two-year hotel bill amounting to almost $10,000.

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Shortly after moving into the Ralphs mansion, Cudahy was under a doctor’s care for an extremely nervous condition and for insomnia. In early April 1921, he disappeared for ten days and it was later learned that he had been living at the Rosslyn Hotel under a fictitious name. Previous to that he had spent three months in a sanatorium.

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At the time, Cudahy was reportedly having financial problems. On April 19, 1921 he received a letter from a trust company in Chicago stating that they would not carry a loan unless his sister Clara would vouch for him. Later that night Clara sent a telegram briefly stating, “Sorry, but find it impossible to do what you ask.”

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The following morning, at about 10:30am, Cudahy went into his bathroom, retrieved his Winchester shotgun, which he used for trap-shooting, and took it into his bedroom. Edna claimed that at the time he did not seem to be unusually despondent. At exactly 11:45am, Edna was in her dressing room when she heard a shot and rushed into her husband’s bedroom where she found him dead. He had committed suicide by blowing off the top of his head. John Cudahy was buried at Calvary Cemetery in East Los Angeles.

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Edna and her children moved out of the house shortly after her husband’s suicide. Thirteen years later she was living in a mansion near Vine Street and Franklin Avenue in Hollywood. Actor Lou Tellegen, who had fallen on hard times, was living with her and committed suicide in his bathroom by stabbing himself in his heart seven times with a pair of scissors.

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After Cudahy’s suicide, the mansion stood empty for about a year. In October 1922 Mrs. Ralphs sold the house and property to a local realty company for $150,000. They planned to raze the house and build a 350 room apartment hotel at a cost of one million dollars. For unknown reasons, the hotel was never built and the mansion was spared.

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Film producer, Joseph M. Schenck and his wife, the actress Norma Talmadge, were the next owners of the “jinx mansion.” The Schenck’s, who were married in 1916, probably moved into the house in late 1922 or early 1923. For the first few years their lives were routine, at least for film people, with the exception of several break-ins where Norma’s jewelry was stolen.

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Norma Talmadge and Joseph M. Schenck

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Gradually the couple began to grow apart. They separated in 1927 and moved into separate residences; Norma to an elegant apartment building on Harper Avenue in West Hollywood and Schenck moved to a large house in Beverly Hills. They remained married, however, and kept ownership of the Hollywood Boulevard mansion.

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In July 1930, Talmadge traveled to Europe for a rest amid rumors that they were getting divorced but the couple denied the rumors, each claiming they were still in love. The following year Talmadge asked for a divorce and Schenck agreed but she never filed for it. In 1932 she again asked for a divorce and traveled to Europe, supposedly to get one, but once there, she denied the so-called rumors.

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During 1932 alone, the Schenck divorce rumors were many and were announced and denied several times. One time she planned on going to Reno and several months later it was reportedly a Mexican divorce. In the meantime, there was an affair with comedian George Jessel until finally in April 1934 Talmadge and Schenck were divorced in Juarez, Mexico. Three weeks later Norma married Jessel.

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The Talmadge-Schenck home as it looked from Fuller Street in the 1920s

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Above is the site from the same angle on Fuller Street as it looks today

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During all of this the Schenck’s kept the mansion, and may have rented it out but he reportedly moved back after the divorce. In May 1936 Schenck redecorated the property, adding a two-story cabana and a 60-foot swimming pool that replaced the one installed by the Ralphs which was later filled in by the Cudahy’s.

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Bad luck continued to follow Schenck. In 1936 he agreed to pay a bribe to avoid strikes with the unions, but because he made the payoff with a personal check, it came to the attention of the IRS and he was eventually convicted of income tax evasion. In 1940 he finally sold the Hollywood Boulevard “jinx mansion” and all its furnishings in an auction, supposedly to help pay his legal fees. In 1946 Schenck spent time in prison before being granted a pardon by President Harry Truman.

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Notice for the Joseph Schenck auction

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After Schenck sold the mansion, it was razed to make way for Peyton Hall, the first apartment house to go up on Hollywood Boulevard west of La Brea. The colonial-style garden apartment complex included more than 70 apartments. A red carpet rolled all the way from the grand portico to Hollywood Boulevard. There were discreet private entrances and a loudspeaker on the grounds that summoned stars to the studios.

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The architect and builders kept the 60-foot swimming pool that Joseph Schenck installed four years earlier and it was used by the residents, including Shelley Winters and Johnny Weissmuller, who once jumped from the roof into the deep end. Other celebrity residents at Peyton Hall included Susan Hayward, George Raft and Janet Gaynor. Cary Grant stayed there during World War II and Claudette Colbert actually owned the complex and sold it in 1946 for about $450,000 to the first of a succession of owners. In 1960, an investment group bought it for $790,000.

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Beginning in 1978, preservationists waged a two-year battle to save the landmark complex –but to no avail. Peyton Hall was demolished in the early 1980s and the recently renamed, Vantage Apartments (formerly the Serravella) was built in 1988 and remains there today.

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The Vantage Apartments above is the site of the Ralphs-Cudahy-Schenck-Talmadge mansion

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Whether you believe in the “jinx mansion” or not is up to the reader—but it makes an interesting story. If you happen be in the neighborhood of the 7200 block of Hollywood Boulevard on Halloween night, do so at your own risk.

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Beatrice Dominguez: Valentino’s “La Bella Sevilla”

Posted by Allan Ellenberger on May 24th, 2013
2013
May 24

HOLLYWOOD PROFILES

Beatrice Dominguez: Valentino’s “La Bella Sevilla”

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By Allan R. Ellenberger

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She was a vamp. With Spanish mantillas and high combs, and dancing to the sounds of a strumming guitar, she endeared herself to those she entertained. She was born Beatriz Dominguez on September 6, 1896 in San Bernardino, California. Descended from an old California Spanish family, a race of dons, her lineage can be traced back to old Castile who had been Americans for generations. Like her three older sisters, Beatriz was educated at Sacred Heart Convent, and like her younger sister Inez, she appeared in a few short films, but unlike Inez, she liked the medium. Her family, however, wanted her to be a doctor or lawyer; there had been no theatrical people or dancers in their ancestry. But dancing was in her blood. Her mother Petra was born in Sevilla and never had a dancing lesson, yet she simply danced. Beatrice learned to dance from her. “You see,” Beatriz said, “Spanish dances are all symbolical.” And from her, too, she inherited the priceless mantillas, combs, jewelry and embroidered shawls that she wore.

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In 1915 and 1916, Beatriz danced her way into fame when she appeared at the Panama-Pacific Exposition in San Diego. Billed simply as “La Bella Sevilla,” she lent the old Castilian touch to the air of the place.  To the click of castanets and a swirl of silken skirts, through an open archway she danced to the tune of the classic La Jota, black eyes snapping as the applause of the expositions throng bought in more crowds. When Theodore Roosevelt saw her dance, he called her “California’s sweetheart—fairest dancing daughter of the dons.”  

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exposition

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While performing in San Diego, she had an uncredited role in the Douglas Fairbanks film, The Americano (1916). After the exposition, Beatrice returned to dancing in vaudeville.

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“After I left San Diego,” Beatriz recalled, “and had danced at the Mission Inn in Riverside—I wished to act. I called at some of the studios and did not say that I was the premiere dancer at Balboa Park (San Diego). I simply registered as ‘La Bella Sevilla.’ Mr. O. H Davis, who was a vice-president of the Exposition, was appointed general manager of Universal. One day, when I called there, he suggested that I use my own name, because directors were rather afraid to employ a dancer because they reasoned that she could not act. I was baptized ‘Beatriz,’ but at the studios they have turned that into the American ‘Beatrice.’”

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The newly rechristened ‘Beatrice’ returned to films in 1919 in a small role in the Rex Ingram picture, The Day She Paid (1919) followed by another Ingram film, Under Crimson Skies (1920). Carl Laemmle saw her and considered her “an exceptional motion picture type” and gave her a part in The Fire Cat (1921) at Universal. Beatrice became one of the first Hispanic actresses to receive screen billing and to be mentioned in the press. Then the film that she would be remembered for today was offered to her. “Beatrice Dominguez, a Spanish dancer, has been engaged to play in the Metro production of The Four Horsemen of the Apocalypse, which Rex Ingram is directing,” the local trade papers announced. The film starred the relative newcomer, Rudolph Valentino and his dancing the Tango with Beatrice glamorized the dance and gave him instant celebrity.

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In December 1920 Beatrice appeared in the prologue to The Mark of Zorro starring Douglas Fairbanks during its seven week run at the Mission Theater. The following February she was filming The White Horseman (1921) with Art Acord when she collapsed with a ruptured appendix and was rushed to the Clara Barton Hospital at 447 South Olive Street. Doctors believed she would recover, but as with Valentino five years later, peritonitis set in; a second operation was necessary. She died from the complications of the operation on February 27, 1921. She was 24. One week later, The Four Horsemen of the Apocalypse opened in New York City to rave reviews and made Rudolph Valentino a star, in part because of the Tango scene with Beatrice.

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DOMINGUEZ-HOUSE

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The home of Beatrice Dominguez at 2522 Elsinore Street in Los Angeles where her funeral was held. (PLEASE NOTE: This is a private home. Please do not disturb the residents)

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Beatrice’s funeral was held at her home at 2522 Elsinore Street, where she lived with her mother and sister Inez. The funeral mass was held at the Plaza Church in old Los Angeles with burial at Calvary Cemetery.

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dominguez-grave1

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dominguez-grave2

 

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At the time of her death, her role in The White Horseman was not yet completed, so they had to find a way to write her out of the remainder of the film. Her purpose in the film was to find a treasure. The director brought in a stand-in, of about the same height, dressed her in Beatrice’s costume and had her walk into the scene with her back to the camera and announce that she was called back to her home. She entrusted her mission to another, who was then responsible to find the treasure. Just before her death, she was signed to play the role of a Hindu girl in an adaptation of the Rudyard Kipling story, Without Benefit of Clergy at the Brunton Studios (now Paramount).

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