Posts Tagged ‘AMPAS’

Oscar nominees and winners at Hollywood Forever Cemetery

Sunday, January 28th, 2018

The 90th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2017 and will take place at the Dolby Theatre in Hollywood, Los Angeles, California at 5:00 p.m. PST on March 4, 2018.

To celebrate, let’s take a look at all (I hope none are hiding anywhere) Oscar nominees/winners that are interred at Hollywood Forever Cemetery.

Pierre Collings (1902-1937) was the first Academy Award nominee and winner to be interred at Hollywood Forever Cemetery. He received two Best Writing/Story nominations/wins for The Story of Louis Pasteur, a 1938 bio-pic starring fellow Hollywood Forever resident and Oscar winner, Paul Muni (1895-1967) as the famous French biologist. Technician Nathan Levinson (1888-1952) had the most nominations at 24 for Best Recording, of which he received one statue, but also was bestowed with two technical awards and one Honorary. Composer Victor Young (1900-1956) came in second at 22 nominations and one win, which sadly, was given posthumously. Cinematographer Arthur C. Miller (1895-1970) won the most at three statues. The last Oscar nominee to be interred here was screenwriter Fay Kanin (1917-2013). Ironically, the last Oscar winner to be laid to rest was Kanin’s husband–and often writing partner–screenwriter Michael Kanin (1910-1993). They shared a writing nomination for 1958’s Teacher’s Pet starring Clark Gable and Doris Day.

Image result for hollywood forever cemetery

The following are the Hollywood Forever residents that were nominated or won an Academy Award or Honorary awards, and the films they were nominated/won for. The co-founders of the Academy of Motion Picture Arts and Sciences are also included.

Hollywood Forever Cemetery Academy Award Nominees and Winners. An asterisk (*) signifies the film that they won for:

1. George S. Barnes (1892-1953) Best Cinematography. 8 noms; 1 win. The Magic Flame (1927); The Devil Dancer (1927); Sadie Thompson (1928); Our Dancing Daughters (1928); *Rebecca (1940); The Spanish Main (1945); Spellbound (1945); Samson and Delilah (1949). Plot: Abbey of the Psalms, Sanctuary of Refuge, Corr G-2, Crypt 2087.

2. Anne Bauchens (1882-1967) Best Film Editing. 4 noms; 1 win. Cleopatra (1934); *Northwest Mounted Police (1940); The Greatest Show on Earth (1952); The Ten Commandments (1956). Plot: Chapel Columbarium, Lower floor, northwest wall, T-2, N-3.

3. Jack Brooks (1912-1971) Best Music, Original Song. 3 noms; 0 wins. Canyon Passage (1946); Son of Paleface (1952); The Caddy (1953). Plot: Abbey of the Psalms, Haven of Faith, T-11, N-4.

4. R. Dale Butts (1910-1990) Best Music. 1 nom; 0 wins. Flame of the Barbary Coast (1945). Plot: Section 2, Lot 69.

5. Louis Calhern (1895-1956) Best Actor. 1 nom; 0 wins. The Magnificent Yankee (1950). Plot: Abbey of the Psalms, Abbey Foyer, T-3, N-308, South wall.

6. Charles H. Christie (1880-1955) One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Garden of Legends, Section 8, Lot 178 – family marker – unmarked.

7. Pierre Collings (1902-1937) Best Writing/Story. 2 noms; 2 wins. *The Story of Louis Pasteur (1937) [2 wins]. Plot: Section 2W, Lot 696.

8. Irving Cummings (1888-1959) Best Director. 1 nom; 0 wins. In Old Arizona (1928). Plot: Section 13, Lot 305.

9. Cecil B. DeMille (1881-1959) Best Director. 1 nom; 0 wins. The Greatest Show on Earth (1952) / Best Picture. 2 noms; 1 win. *The Greatest Show on Earth (1952); The Ten Commandments (1957) / *Honorary Award (1950) / *Irving G. Thalberg Memorial Award (1953). One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Garden of Legends, Section 8, Lot 50.

10. Elmer Dyer (1892-1970) Best Cinematography. 1 nom; 0 wins. Air Force (1943). Plot: Garden of Legends, Section 8, Lot 53.

11. Douglas Fairbanks (1883-1939) *Honorary Award (1940) [posthumous]. One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Large reflecting pool plot adjacent to the Cathedral Mausoleum.

12. Daniel L. Fapp (1904-1986) Best Cinematography. 7 noms; 1 win. Desire Under the Elms (1958); The Five Pennies (1959); One, Two, Three (1961); *West Side Story (1961); The Unsinkable Molly Brown (1964); Ice Station Zebra (1968); Marooned (1969). Plot: Court of the Apostles, Unit 9 (south side).

13. Charles K. Feldman (1904-1968) Best Picture. 1 nom; 0 wins. A Streetcar Named Desire (1951). Plot: Abbey of the Psalms, Sanctuary of Faith, Corr D-3, Crypt 2305.

14. Peter Finch (1916-1977) Best Actor. 2 noms; 1 win. Sunday Bloody Sunday (1971); *Network (1976). Plot: Cathedral Mausoleum, Corr A, Crypt 1224.

15. Victor Fleming (1889-1949) Best Director. 1 nom; 1 win. *Gone with the Wind (1939). Plot: Abbey of the Psalms, Sanctuary of Refuge, Crypt 2081.

16. John Foreman (1925-1992) Best Picture. 2 noms; 0 wins. Butch Cassidy and the Sundance Kid (1969); Prizzi’s Honor (1985). Plot: unknown.

17. Sidney Franklin (1893-1972) Best Director. 1 nom; 0 wins. The Good Earth (1937). *Irving G. Thalberg Memorial Award (1943). Plot: Garden of Legends, Section 8, Lot 1127.

18. George Froeschel (1891-1979) Best Writing, Screenplay. 2 noms; 1 win. Random Harvest (1942); *Mrs. Miniver (1942). Plot: Section 6, Lot 382.

19. Victor A. Gangelin (1899-1967) Best Art Direction. 2 noms; 1 win. Since You Went Away (1944); *West Side Story (1961). Plot: Section 9, Grave 910.

20. Judy Garland (1922-1969) Best Actress. 1 nom; 0 wins. A Star is Born (1954) / Best Supporting Actress. 1 nom; 0 wins. Judgement at Nuremburg (1961) / *Juvenile Award (1940). Plot: Abbey of the Psalms Mausoleum, Judy Garland Pavilion.

21. Tony Gaudio (1883-1951) Best Cinematography. 6 noms; 1 win. Hell’s Angels (1930); *Anthony Adverse (1936); Juarez (1939); The Letter (1940); Corvette K-225 (1943); A Song to Remember (1945). Plot: Section 5, Lot 471.

22. Janet Gaynor (1906-1984) Best Actress. 2 noms; 1 win. *[Sunrise (1927), 7th Heaven (1927), Street Angel (1928)]; A Star is Born (1937). Plot: Garden of Legends, Section 8, Lot 193.

23. Joan Hackett (1934-1983) Best Supporting Actress. 1 nom; 0 wins. Only When I Laugh (1981). Plot: Abbey of the Psalms, Sanctuary of Faith, Corr D-3, Crypt 2314.

24. Karl Hajos (1889-1950) Best Music. 2 noms; 0 wins. Summer Storm (1944); The Man Who Walked Alone (1945). Plot: Section 14, Row B, Grave 54.

25. Lenny Hayton (1908-1971) Best Music. 6 noms; 2 wins. The Harvey Girls (1946); The Pirate (1948); *On the Town (1949); Singin’ in the Rain (1952); Star! (1968); *Hello, Dolly! (1969). Plot: Plains of Abraham, Lot 153, Grave 19.

26. Milton E. Hoffman (1879-1952) One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Abbey of the Palms, Sanctuary of Refuge, Corr G-1, Crypt 321.

27. John Huston (1906-1987) Best Director. 5 noms; 1 win. *The Treasure of the Sierra Madre (1948); The Asphalt Jungle (1950); The African Queen (1951); Moulin Rouge (1952); Prizzi’s Honor (1985) / Best Writing. 8 noms; 1 win. Dr. Ehrlich’s Magic Bullet (1940); The Maltese Falcon (1941); Sergeant York (1941); *The Treasure of the Sierra Madre (1948); The Asphalt Jungle (1950); The African Queen (1951); Heaven Knows, Mr. Allison (1957); The Man Who Would Be King (1975) / Best Picture. 1 nom; 0 wins. Moulin Rouge (1952) / Best Supporting Actor. 1 nom; 0 wins. The Cardinal (1963). Plot: Garden of Legends, Section 8, Lot 6.

28. Harry Jackson (1896-1953) Best Cinematography. 1 nom; 0 wins. Mother Wore Tights (1947). Plot: Chapel Columbarium, Column D, Niche 2, Tier 2.

29. Fay Kanin (1917-2013) Best Writing. 1 nom; 0 wins. Teacher’s Pet (1958). Plot: New Beth Olam Mausoleum, 3d floor, Corr T-J-1-3.

30. Michael Kanin (1910-1993) Best Writing. 2 noms; 1 win. *Woman of the Year (1942); Teacher’s Pet (1958). Plot: New Beth Olam Mausoleum, 3rd floor, Corr T-J-1-3, Crypt 4762.

31. Bronislaw Kaper (1902-1983) Best Music-Score. 3 noms; 1 win. The Chocolate Soldier (1941); *Lili (1953); Mutiny on the Bounty (1962) / Best Original Song. 1 nom; 0 wins. Mutiny on the Bounty (1962). Plot: New Beth Olam Mausoleum, Hall of David, Corridor T-1, Niche 1513, Tier 15.

32. Frank P. Keller (1913-1977) Best Film Editing. 4 noms; 1 win. Beach Red (1967); *Bullitt (1968); The Hot Rock (1972); Jonathan Livingston Seagull (1973). Plot: Garden of Eternal Love, Section 5, east side.

33. Michael Kidd (1915-2007) *Honorary Award (1997). Plot: Section 13, Lot 847, Space 1.

34. Frederick Kohner (1905-1986) Best Writing. 1 nom; 0 wins. Mad About Music (1938). Plot: Garden of Jerusalem, Section 18.

35. Erich Wolfgang Korngold (1897-1957) Best Music. 3 noms; 1 win. *The Adventures of Robin Hood (1938); The Private Lives of Elizabeth and Essex (1939); The Sea Hawk (1940). Plot: Garden of Legends, Section 8, Lot 15.

36. Milton R. Krasner (1904-1988) Best Cinematography. 7 noms; 1 win. Arabian Nights (1942); All About Eve (1950); *Three Coins in the Fountain (1954); An Affair to Remember (1957); How the West Was Won (1962); Love with the Proper Stranger (1963); Fate is the Hunter (1964). Plot: New Beth Olam Mausoleum, Corr T-7-2, Gates of Heaven, Crypt 1498 (unmarked).

37. Harry Kurnitz (1908-1968) Best Writing. 1 nom; 0 wins. What Next, Corporal Hargrove? (1945). Plot: Garden of Shalom, Section 16, Row K, Grave 22.

38. Jesse L. Laskey (1880-1958) One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Abbey of the Psalms, Sanctuary of Light, Corr G-3, Crypt 2196.

39. Lester Lee (1904-1956) Best Music-Original Song. 1 nom; 0 wins. Miss Sadie Thompson (1953). Plot: Garden of Eternal Love, Section 5, Lot 838.

40. Sonya Levien (1888-1960) Best Writing. 2 noms; 1 win. State Fair (1933); *Interrupted Melody (1955). Plot: Garden of Jerusalem, Section 18, Lot 929, urn garden, far southeast corner of section.

41. Nathan Levinson (1888-1952) Best Sound-Recording/Special Effects. 24 noms; 1 win. I Am a Fugitive from a Chain Gang (1933); Gold Diggers of 1933 (1933); 42nd Street (1933); Flirtation Walk (1934); Captain Blood (1935); The Charge of the Light Brigade (1936); The Life of Emile Zola (1937); Four Daughters (1938); The Private Lives of Elizabeth and Essex (1939)-2 noms; The Sea Hawk (1940)-2 noms; The Sea Wolf (1941); Sergeant York (1941); Desperate Journey (1942); *Yankee Doodle Dandy (1942); Air Force (1943); This is the Army (1943); The Adventures of Mark Twain (1944); Hollywood Canteen (1944); Rhapsody in Blue (1945); A Stolen Life (1946); Johnny Belinda (1948); A Streetcar Named Desire (1951) / *Technical Achievement Award (1936) / *Honorary Award (1941) / *Technical Achievement Award (1948). Plot: Beth Olam Mausoleum, Foyer O, T-8, N-7.

42. Jeanie MacPherson (1886-1946) One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Chapel Colonnade, west Corr, South Wall, T-2.

43. Joe Mantell (1915-2010) Best Supporting Actor. 1 nom; 0 wins. Marty (1955). Plot: Section 21, Row 15, Grave 23.

44. Gertrude Ross Marks (1916-1994) Best Documentary. 1 nom; 0 wins. Walls of Fire (1971). Plot: New Beth Olam mausoleum, 3rd Floor, Corr T-J-1-3, Crypt 7763.

45. J. Peverell Marley (1901-1964) Best Cinematography. 2 noms; 0 wins. Suez (1938); Life with Father (1947). Plot: Cathedral Mausoleum, Crypt 223.

46. Hattie McDaniel (1895-1952) Best Supporting Actress. 1 nom; 1 win. *Gone with the Wind (1939). Plot: Garden of Legends, Section 8, south of lake: Cenotaph.

47. Adolphe Menjou (1890-1963) Best Actor. 1 nom; 0 wins. The Front Page (1931). Plot: Garden of Legends, Section 8, Lot 11.

48. Michel Michelet (1894-1995) Best Music. 2 noms; 0 wins. Voice in the Wind (1944); The Hairy Ape (1944). Plot: Chapel Columbarium, Second Floor, west wall, T-3, N-11.

49. Arthur C. Miller (1895-1970) Best Cinematography. 7 noms; 3 wins. The Rains Come (1939); The Blue Bird (1940); *How Green Was My Valley (1941); This Above All (1942); *The Song of Bernadette (1943); The Keys of the Kingdom (1944); *Anna and the King of Siam (1946). Plot: Abbey of the Psalms, Haven of Remembrance, T-1, N-3.

50. Thomas Miranda (1886-1962) One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Cathedral Mausoleum, Alcove of Reverence, T-15, N-5.

51. Paul Muni (1895-1967) Best Actor. 6 noms; 1 win. The Valiant (1929); I Am a Fugitive from a Chain Gang (1932); Black Fury (1935) [write-in]; *The Story of Louis Pasteur (1936); The Life of Emile Zola (1937); The Last Angry Man (1959). Plot: Plains of Abraham, Section 14, Grave 57.

52. Dudley Nichols (1895-1960) Best Writing. 4 noms; 1 win. *The Informer (1935); The Long Voyage Home (1940); Air Force (1943); The Tin Star (1957). Plot: Garden of Exodus, Section 13. Note: Nichols refused to accept his award for The Informer because of the antagonism between several industry guilds and the academy over union matters. This marked the first time an Academy Award had been declined. Academy records show that Dudley was in possession of an Oscar statuette by 1949.

53. Ingo Preminger (1911-2006) Best Picture. 1 nom; 0 wins. M*A*S*H (1970). Plot: Garden of Eternal Love, Section 5, Lot 11, Grave 1.

54. Nelson Riddle (1921-1985) Best Music. 5 noms; 1 win. Li’l Abner (1959); Can-Can (1960); Robin and the 7 Hoods (1964); Paint Your Wagon (1969); *The Great Gatsby (1974). Plot: New Beth Olam Mausoleum, Corr T-1, Columbarium, Niche 702, Tier 7.

55. Hugo Riesenfeld (1879-1939) Best Music. 1 nom, 0 wins. Make a Wish (1937). Plot: Section 17, Row R, Plot 15.

56. Mickey Rooney (1920-2014) Best Actor. 2 noms; 0 wins. Babes in Arms (1939); The Human Comedy (1943) / Best Supporting Actor. 2 noms; 0 wins. The Bold and the Brave (1956); The Black Stallion (1979) / *Juvenile Award (1939) / *Honorary Award (1983). Plot: Cathedral Lake View, Elevation 15, Couch B-1501.

57. Harold Rosson (1895-1988) Best Cinematography. 5 noms; 0 wins. The Wizard of Oz (1939); Boom Town (1940); Thirty Seconds Over Tokyo (1944); The Asphalt Jungle (1950); The Bad Seed (1956) / *Honorary Award. The Garden of Allah (1936). Plot: Garden of Legends, Section 8, Plot 43.

58. Hans J. Salter (1896-1994) Best Music. 6 noms; 0 wins. It Started with Eve (1941); The Amazing Mrs. Holliday (1943); The Merry Monahans (1944); Christmas Holiday (1944); Can’t Help Singing (1944); This Love of Ours (1945). Plot: Section 16, Lot 66B.

59. Joseph Schildkraut (1896-1964) Best Supporting Actor. 1 nom; 1 win. The Life of Emile Zola (1937). Plot: Beth Olam Mausoleum, Foyer R, West wall, Niche 212.

60. Leon Schlesinger (1884-1949) Best Short Subject-Cartoons. 6 noms; 0 wins. It’s Got Me Again (1932); A Wild Hare (1940); Rhapsody in Rivets (1941); Hiawatha’s Rabbit Hunt (1941); Pigs in a Polka (1943); Greetings Bait (1943). Plot: Beth Olam Mausoleum, Corr M-4, T-5-2, Crypt 1275.

61. Leonard Spigelgass (1908-1985) Best Writing. 1 nom; 0 wins. Mystery Street (1950). Plot: New Beth Olam Mausoleum, T-8-2, Crypt 7934.

62. George Stoll (1902-1985) Best Music. 9 noms; 1 win. Babes in Arms (1939); Strike Up the Band (1940) [2 noms]; For Me and My Gal (1942); Meet Me in St. Louis (1944); *Anchors Aweigh (1945); Love Me or Leave Me (1955); Meet Me in Las Vegas (1956); Billy Rose’s Jumbo (1962). Plot: Beth Olam, Section 18.

63. Gregg Toland (1904-1948) Best Cinematography. 6 noms; 1 win. Les Misérables (1935); Dead End (1937); Intermezzo: A Love Story (1939); *Wuthering Heights (1939); The Long Voyage Home (1940); Citizen Kane (1941). Plot: Chapel Columbarium, Lower Column H, Niche 2, Tier 4.

64. Franz Waxman (1906-1967) Best Music. 12 noms; 2 wins. The Young in Heart (1938) [2 noms]; Rebecca (1940); Suspicion (1941); Dr. Jekyll and Mr. Hyde (1941); Objective, Burma! (1945); Humoresque (1946); *Sunset Blvd. (1950); *A Place in the Sun (1951); The Silver Chalice (1954); The Nun’s Story (1959); Taras Bulba (1962). Plot: Beth Olam Mausoleum, Hall of Solomon, Foyer O, T-5, N-1.

65. Clifton Webb (1889-1966) Best Supporting Actor. 2 noms; 0 wins. Laura (1944); The Razor’s Edge (1946) / Best Actor. 1 nom; 0 wins. Sitting Pretty (1948). Plot: Abbey of the Psalms, Corr G-6, Crypt 2350.

66. Jules White (1900-1985) Best Short Subject-Two Reel/Comedy. 4 noms; 0 wins. Men in Black (1934); Oh, My Nerves (1935); The Jury Goes Round ‘n’ Round (1945); Hiss and Yell (1946). Plot: Beth Olam Mausoleum, Corr M-7, Crypt 1377.

67. Carey Wilson (1889-1962) Best Writing. 1 nom; 0 wins. Mutiny on the Bounty (1935). One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Garden of Legends, Section 8, Lot 66.

68. Frank E. Woods (1860-1939) One of the 36 founders of the Academy of Motion Picture Arts and Sciences. Plot: Columbarium, Lower floor, North wall, Tier 4, Niche 8.

69. Victor Young (1900-1956) Best Music. 22 noms; 1 win. Breaking the Ice (1938); Army Girl (1938); Man of Conquest (1939); Gulliver’s Travels (1939); Golden Boy (1939); Way Down South (1939); North West Mounted Police (1940); Dark Command (1940); Arizona (1940); Arise, My Love (1940); Hold Back the Dawn (1941); Take a Letter, Darling (1942); Silver Queen (1942); Flying Tigers (1942); For Whom the Bell Tolls (1943); Love Letters (1945) [2 noms]; The Emperor Waltz (1948); My Foolish Heart (1949); Samson and Delilah (1949); Written on the Wind (1956); *Around the World in Eighty Days (1956) [win was posthumous]. Plot: Beth Olam Mausoleum, Foyer M, Crypt 46.

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Who Named Oscar?

Sunday, February 26th, 2017

The Birth of Oscar

 

 

By Allan R. Ellenberger

  

Oscar – the name on everyone’s lips in Hollywood at this time of year. Once again on February 22, nominees will stroll down the red carpet at the Kodak Theatre to attend the 81st Annual Academy Awards. There, the phrase, “And the Oscar goes to…” will be repeated numerous times, but who originally coined the term, Oscar? Depending on who you talk to, it could be any one of several suspects, but first, some history.

 

Oscar’s parents, the Academy of Motion Picture Arts and Sciences was chartered on May 4, 1927, when 36 film industry leaders met and organized the non-profit corporation dedicated to improving the artistic quality of the film medium.

 

Academy banquet at the Biltmore Hotel (LAPL)

 

A week later on May 11, a banquet was held in the Crystal Ballroom at the Biltmore Hotel where more than 300 gathered, and Douglas Fairbanks, the Academy’s first president, presided. Film industry leaders such as Louis B. Mayer, Joseph M. Schenck, Will Hays, Mary Pickford, Cecil B. DeMille, Frank Lloyd and Conrad Nagel gave their support.

 

It was Louis B. Mayer who suggested handing out awards as a way of focusing attention on films. Conrad Nagel agreed, saying, “Whatever we give, it should be a symbol of continuing progress – militant, dynamic.”

 

Inspired by the evenings proceedings, MGM art director, Cedric Gibbons began sketching a form on the tablecloth (some versions say a napkin). The figure was a brawny man standing on a reel of film gripping a crusader’s sword. Gibbons transferred the sketch to paper and it was given to sculptor George Stanley, who molded the trophy in clay. Since then very few changes have been made.

 

“They are a little distorted now because the original mold has been used so often,” Stanley said in 1957. The sculptor later designed and worked on the three well-known statues at the entrance of the Hollywood Bowl.

 

As with many actors, Oscar’s birth name would have been hard to fit on a marquee – the Academy of Motion Picture Arts & Sciences Award of Merit – more than a mouthful. So perhaps this fated him to a moniker, but just how Oscar received its unusual name is debatable. Several Hollywood notables have claimed the distinction of originating the name.

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 Margaret Herrick and Col. W. N. Selig (LAPL)

 

On their website, the Academy does not attribute the nickname to a specific person, however, one version of the story gives credit to the Academy’s executive secretary, Margaret Herrick. The story goes that in 1931, she reportedly saw the statuette, studied it carefully and exclaimed, “Why he looks like my Uncle Oscar.”

 

Sitting in an adjoining office was a newspaper correspondent who, the following day, printed the line: “Academy employees have affectionately dubbed their famous gold statuette Oscar.” (unfortunately there is no known published validation for this story)

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 Irving Thalberg, Bette Davis and Frank Capra (LAPL)

 

Two-time Oscar winner, Bette Davis believed that she created the term Oscar to describe the golden trophy.

“I am convinced that I was the first to give the statuette its name when I received one for my performance in Dangerous, made in 1935,” Davis said in 1955.

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 Bette Davis and her then-husband, Harmon Oscar Nelson, Jr.
Was the coveted award named for him?

 

“I was married at that time to Harmon O. Nelson, Jr. For a long time I did not know what his middle name was. I found out one day that it was Oscar, and it seemed a very suitable nickname for the Academy statuette.”

 

Davis, knowing there were other petitioners to the name, hinted that she would be willing to resort to fisticuffs to support her contention.

 

“Of course, that’s all so very long ago – who knows? But I’d suggest that if the other claimants become very insistent we settle the whole thing with a duel.”

 

Still other stories say that John Barrymore first coined the name – in the early days Oscar was reportedly a facetious term. Animation pioneer, Walt Disney has also been quoted as thanking the Academy for his Oscar as early as 1932. However, the person who may have the best claim for originating the name is columnist Sidney Skolsky.

 

Many references credit Skolsky for using the term “Oscar” in a 1934 column in reference to Katharine Hepburn’s Best Actress award for Morning Glory (1933). Still another names Skolsky as the anonymous reporter who supposedly overheard Margaret Herrick christen the statue in 1931; but since Skolsky had not arrived in Hollywood until 1932, that part is unlikely.

 

Skolsky claimed the term referenced an old vaudeville joke that began, “Will you have a cigar, Oscar?”

 

Though Oscars true beginning is unknown, what can be proven is the use of “Oscar” in Time magazine on March 26, 1934. If it’s not the original, it certainly is one of the first times the term was used:

 

“In the cinema industry the small gold-washed statuettes which the Academy of Motion Picture Arts and Science annually awards for meritorious productions and performances are called ‘Oscars,’” the article stated.

 

This also negates Bette Davis’ claim of naming the award when she received hers in 1936 – by then the term Oscar had already been in use for two years.

 

Whatever its origin, it definitely will not to be an issue when this years nominees walk the red carpet in hopes of getting their own Oscar.

_____________________________

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The First Oscar…

Tuesday, February 17th, 2009

AMPAS HISTORY

Emil Jannings’ Oscar

 

Emil Jannings and his Oscar

  

By Allan R. Ellenberger

Emil Jannings, one of Germany’s most favorite actors, was Swiss-born and was raised in Germany as a child. An undisciplined student, his first ambition was to be an actor, however a close friend who was in the Navy, convinced him to run away and go to sea. He eventually returned and tried to obey his parents wishes to be an engineer but soon ran off again and joined a theatrical road company. This time he was returned home by the police, but his father thought a good dose of theatrical hardship would cure him of his dramatic ideas and allowed him to continue with his pursuit.

For several years he traveled with one company or another eventually becoming a stock member at Bremen and Leipzig. For some time Jannings was with the Darmstadt Royal Theatre in Berlin, where he played in Shakespeare, Ibsen, Strindberg and Goethe plays. There he made the acquaintance of Robert Wiene, who would later become the producer of Caligari. He soon played in a series of one-reelers in which one of the directors was a young Ernst Lubitsch 

Emil Jannings in The Last Laugh

Emil Jannings in The Last Laugh (1924)

In F.W. Murnau’s, The Last Laugh (1924), in which Jannings plays an old man who sees his world fall about him, he caused critics to rave about him. After his success in Faust (1926), again with Murnau, he came to the United States for Paramount and appeared in The Way of All Flesh (1927), The Street of Sin (1928), The Last Command (1928), The Patriot (1928) and Sins of the Father (1928).

In 1929, the first year of the Academy Awards, Jannings won a Best Actor award for his performances in the The Way of All Flesh (1927), in which he played an embittered family man, and The Last Command (1928), in which he was an exiled Russian general reduced to playing bit parts in war films.

The first Academy Awards ceremony was held on May 16, 1929. However, at that time talking pictures had arrived and Jannings became one of that group of foreign actors who, because of their accent, was suddenly forced to abandon his career in the United States.

 Emil Jannings' Oscar

 The first Academy Award (kori.bustard/Flickr)

Since the actor was returning to Germany on April 27 – before the banquet was to be held in the Blossom Room of the Roosevelt Hotel – he asked the Academy if he could receive his gold statuette early. The fledgling organization agreed, making his the very first Academy Award ever presented.

The remainder of Jannings film work was done in Germany. During World War II, it became apparent that Jannings had become a favorite of the Nazi government, particularly since he was one of a handful of people entrusted by Propaganda Minister Joseph Goebbels with running that phase of the film industry most closely dominated by the Hitler regime. After the war he was not seen on the screen again.  

Emil Jannnings' Oscar

 Emil Jannings’ Academy Award at the Berlin Film Museum (Jacob.Theo/Flickr)

Emil Jannings died at his home in Strobl, Austria from liver cancer complicated by pneumonia on January 3, 1950. He was buried at Saint Wolfgang Friedhof Cemetery. The very first Academy Award won by Jannings is currently on display at the Berlin Film Museum.

_________________________________

 

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First Academy Award Ceremony…

Saturday, February 7th, 2009

FILM HISTORY

Film-merit trophies awarded

 

Douglas Fairbanks and Janet Gaynor Oscar presentation

Academy of Motion Picture Arts and Sciences president, Douglas Fairbanks, presents award of merit to Janet Gaynor for her performances in Seventh Heaven, Sunrise and The Street Angel.

 

Recognition bestowed for notable achievements

 

Los Angeles Times
May 17, 1929

 

Before a large gathering of motion picture celebrities, Janet Gaynor and other notables last night received statuettes of bronze and gold for outstanding achievement in different branches of the industry. The trophies were awarded at the merit banquet held simultaneously with the celebration of the second anniversary of the of the organization of the Academy of Motion Picture Arts and Sciences.

 

The program of the evening was opened by Douglas Fairbanks who gave the chairmanship over to  William C. De Mille. Fifteen first and twenty honorable mention awards were presented following a program which started at 7 p.m. with an unusual showing of sound and talking pictures.

___________________________

 

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Oscar Nominees List…

Thursday, January 22nd, 2009

AWARDS 

Nominees for the 81st Academy Awards

 

The Curious Case of Benjamin Button

 

Performance by an actor in a leading role

  • Richard Jenkins in “The Visitor” (Overture Films)
  • Frank Langella in “Frost/Nixon” (Universal)
  • Sean Penn in “Milk” (Focus Features)
  • Brad Pitt in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
  • Mickey Rourke in “The Wrestler” (Fox Searchlight)

Performance by an actor in a supporting role

  • Josh Brolin in “Milk” (Focus Features)
  • Robert Downey Jr. in “Tropic Thunder” (DreamWorks, Distributed by DreamWorks/Paramount)
  • Philip Seymour Hoffman in “Doubt” (Miramax)
  • Heath Ledger in “The Dark Knight” (Warner Bros.)
  • Michael Shannon in “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage)

Performance by an actress in a leading role

  • Anne Hathaway in “Rachel Getting Married” (Sony Pictures Classics)
  • Angelina Jolie in “Changeling” (Universal)
  • Melissa Leo in “Frozen River” (Sony Pictures Classics)
  • Meryl Streep in “Doubt” (Miramax)
  • Kate Winslet in “The Reader” (The Weinstein Company)

Performance by an actress in a supporting role

  • Amy Adams in “Doubt” (Miramax)
  • Penélope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company)
  • Viola Davis in “Doubt” (Miramax)
  • Taraji P. Henson in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
  • Marisa Tomei in “The Wrestler” (Fox Searchlight)

 

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Academy Award Nominations…

Thursday, January 22nd, 2009

AWARDS

And the Oscar nominees are…

  

Slumdog-Millionaire

Slumdog Millionaire is one of the five nominated films with 10 nominations

 

‘The Curious Case of Benjamin Button’ leads all contenders with 13 nods including best actor for Brad Pitt.

 

By Susan King
Los Angeles Times
January 22, 2009

 

“The Curious Case of Benjamin Button,” a fable about a man who ages in reverse, dominated the 81st annual Academy Award nominations this morning, earning 13 nods, including best film, best actor for Brad Pitt and best director for David Fincher.    (Click on ‘Continue Reading’ for more)

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Academy Award Nominations…

Wednesday, January 21st, 2009

ACADEMY NEWS

Forest Whitaker to Join Academy President Sid Ganis for Oscar® Nominations

 

Forest Whitaker

Forest Whitaker (AMPAS)

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Beverly Hills, (CA January 20, 2009) — Nominations for the 81st Academy Awards® will be announced on Thursday, January 22, by Academy of Motion Picture Arts and Sciences President Sid Ganis and Oscar-winning actor and Academy member Forest Whitaker.

 

Ganis and Whitaker will unveil the nominations in 10 of the 24 award categories at a 5:30 a.m. news conference at the Academy’s Samuel Goldwyn Theater in Beverly Hills, where hundreds of media representatives from around the world will be gathered. Nominations information for all categories will be distributed simultaneously to news media in attendance and via the Internet on the official Academy Awards Web site, www.oscar.com.

 

In 2006 Whitaker took home the Leading Actor Oscar for his portrayal of Idi Amin in “The Last King of Scotland.” He recently completed work on “My Own Love Song” and will be seen next in “Hurricane Season.” Whitaker is not only an accomplished actor, he is also director of several films, including “First Daughter,” “Hope Floats” and “Waiting to Exhale.” His other acting credits include “Vantage Point,” “The Great Debaters,” “Phenomenon,” “Smoke,” “The Crying Game,” “Bird,” “Good Morning, Vietnam” and “Platoon.”

 

Academy Awards for outstanding film achievements of 2008 will be presented on Sunday, February 22, 2009, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

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“The More the Merrier” Screening

Wednesday, November 19th, 2008

ACADEMY FILM SCREENING

The More the Merrier (1943)

 

 

November 20 at the Linwood Dunn Theater

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Produced and directed by George Stevens, THE MORE THE MERRIER stars Jean Arthur as a career woman who finds herself with more roommates than she bargained for when she rents her “half-apartment” during the housing shortage in wartime Washington, D.C.  Arthur earned an Academy Award® nomination for her performance, and Charles Coburn (as an enterprising lodger) took home the Supporting Actor Oscar®.  The film also garnered nominations for Outstanding Motion Picture, Directing, Original Motion Picture Story, and Screenplay.

 

THE MORE THE MERRIER is the latest presentation in a lecture series named for George Stevens, a prolific producer-director who enjoyed the autonomy, respect and creative freedom that few did during Hollywood’s studio era.  While his films as a whole defy easy description, they all reflect a definitive filmmaking style as well as a unique and nuanced view of American life and values.  His many other notable films include the Best Picture nominees THE TALK OF THE TOWN (1942), A PLACE IN THE SUN (1951), SHANE (1953) and GIANT (1956), two of which (A PLACE IN THE SUN and GIANT) earned him Directing Oscars®.  In 1953 Stevens received the Academy’s Irving G. Thalberg Memorial Award, honoring a producer’s body of work.

 

In her introduction to THE MORE THE MERRIER, Cari Beauchamp, Academy film scholar and author of the upcoming book Joseph P. Kennedy Presents, will offer insights into the making of the film, the context of its wartime production, and Stevens’s approach to comedy.

 

Cast: Jean Arthur (Connie Milligan), Joel McCrea (Joe Carter), Charles Coburn (Benjamin Dingle), Richard Gaines (Charles J. Pendergast), Bruce Bennett (Evans), Frank Sully (Pike), Don Douglas (Harding), Clyde Fillmore (Senator Noonan), Stanley Clements (Morton Rodakiewicz), Ann Savage (Miss Dalton), Grady Sutton (Waiter).

 

Produced and Directed by George Stevens. Associate Producer Fred Guiol. Screenplay Robert Russell, Frank Ross, Richard Flournoy, Lewis R. Foster. Story Robert Russell, Frank Ross. Cinematography Ted Tetzlaff. Film Editing Otto Meyer. Art Direction Lionel Banks, Rudolph Sternad. Music Leigh Harline.

 

About Cari Beauchamp:

Cari Beauchamp is the author of Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood and the upcoming Joseph P. Kennedy Presents, and is the editor, with Mary Anita Loos, of Anita Loos Rediscovered: Film Treatments and Fiction. Beauchamp was named an Academy film scholar in 2004.

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