MIRIAM HOPKINS book giveaway!!

January 3rd, 2018

Announcing the Miriam Hopkins: Life and Films of a Hollywood Rebel book giveaway courtesy of the University Press of Kentucky and the Classic Movie Hub. The earlier you enter, the more chances you have to win.

FIVE COPIES of Miriam Hopkins: Life and Films of a Hollywood Rebel by Allan R. Ellenberger, will be given away.

In order to qualify to win one of these prizes via this contest giveaway, you must complete the online entry task by Saturday, February 3, 2018, at 10PM EST. However, the sooner you enter, the better chance you have of winning, because a winner will be chosen on five different days within the contest period, via random drawings. So if you don’t win the first week that you enter, you will still be eligible to win during the following weeks until the contest is over.

For more information click HERE to go to the Classic Movie Hub Blog and enter to win a free book.

 

 

 

Happy New Year 2018

December 31st, 2017

 

 

Rose Marie 1923-2017

December 29th, 2017

“We were always changing lines, even right up to the very minute of going on the air. If something didn’t work, it didn’t work. Sometimes guest stars would panic because they weren’t used to this. We were a tight-knit, hard-working crew. I couldn’t wait to get to the set each day.” –Rose Marie, about her work on The Dick Van Dyke Show

Hollywoodland Yuletide

December 24th, 2017

Miriam Hopkins: Life and Films of a Hollywood Rebel — an excerpt

December 17th, 2017

My soon-to-be published biography, Miriam Hopkins: Life and Films of a Hollywood Rebel from the University Press of Kentucky, will officially be available on January 5, 2018.

A scene from the hit Broadway play An American Tragedy. Sandra (Hopkins) is saying goodbye to her love interest, Clyde Griffiths (Morgan Farley) before he is executed on the electric chair.

 

The time is 1926, and Hopkins has been cast as Sandra in an adaptation of Theodore Dreiser’s hit novel, An American Tragedy. She was recently married to her first husband, actor Brandon Peters, but things weren’t going well. They were financially strapped and there secrets about their marriage that the couple refused to talk about.

Her experience in the play, however, is different; she is a hit.

The following is an excerpt:

The tragic death of Virginia Richdale Kerrigan

December 12th, 2017

From left: W. W. Kerrigan, W. W. Kerrigan Jr., Nina Kerrigan, J. Warren Kerrigan and Virginia Richdale Kerrigan

Virginia Richdale Kerrigan was the daughter of Nina Richdale and William Wallace Kerrigan, the twin brother of silent film actor, J Warren Kerrigan. In 1915, Kerrigan was general manager of Universal Studios, and also managed his brother’s career.

Virginia was born on November 15, 1915 on the Universal Studios lot — the first of three children to be born there shortly after the studio opened. The others were: the son of Charles Oelze (assistant to Kerrigan), and Wallace Stith (named in honor of Kerrigan), the son of William Stith, who worked in Universal’s technical department. All three babies were used in several early Universal scenarios. In particular, baby Virginia appeared in Good and Evil (1916) and Her Soul’s Song (1916).

Over the years, Kerrigan directed the careers of such stars as William S. Hart, Douglas Fairbanks and Rudolph Valentino. Valentino first met Kerrigan while working on the set of Delicious Little Devil (1919) with Mae Murray. At the time, Kerrigan was managing his brother’s career and soon did the same for Valentino. Over the coming months, Rudy became attached to little Virginia, spending many hours at her Ivar Avenue home (2050 Ivar Avenue). Later, even after his success, Valentino continued to visit Virginia, taking her for rides in his car through the streets of the Hollywood Hills.

The death certificate of Virginia Richdale Kerrigan (click on image to enlarge)

On the day after Christmas 1924, Virginia and her family were attending a party at a neighbors house at 2006 Ivar Avenue. There was a nip in the air that day, and an open gas heater was lit to take off the chill. Virginia had received a new dress as a present the previous day, and was modeling it for the party goers. Shortly before noon, as she laughed and twirled around the room, the hem of her dress brushed over the heater and ignited. The flames spread rapidly to the upper part of her clothing and to her hair. Before the others could extinguish the flames, Virginia was badly burned about the arms, body, and head.

The Hollywood police rushed the injured girl to the Stadfield Hospital on Sunset Boulevard where she was treated before being transferred to the Hollywood Community Hospital at 1300 Vermont Avenue. Virginia lingered for nearly thirty-six hours before succumbing to her injuries at 10:30 p.m., Saturday night, December 27, 1924.

The home of actor J. Warren Kerrigan where the funeral for his niece Virginia was held.

The funeral was held at 2307 Cahuenga Blvd, the home of Virginia’s uncle, actor J. Warren Kerrigan. Afterward, Virginia was interred at Hollywood Cemetery in crypt 1399 of the Cathedral Mausoleum, across from her grandmother, Sarah McLean Kerrigan, who passed away two years earlier.

According to Virginia’s brother, Patrick O. Kerrigan (who was born a few years after Virginia’s death), Rudolph Valentino, who had a profound love of children, was devastated by her death and would often leave flowers at her crypt. In less than two years, Valentino would be interred in the same building, only two corridors away from Virginia.

Anita Page Christmas

December 6th, 2017

Jim Nabors 1930 – 2017

November 30th, 2017

“It’s pretty obvious that we had no rights as a couple, yet when you’ve been together 38 years, I think something’s got to happen there, you’ve got to solidify something. And, at my age, it’s probably the best thing to do.” — Jim Nabors, on his same-sex marriage to life partner Stan Cadwallader in 2013

Jeanette Loff, the Hollywood Christmas Parade’s first guest star

November 25th, 2017

The Hollywood Christmas Parade, which takes place on Sunday evening in Hollywood, is its 89th year (except for three years during World War II) with Grand Marshall Mehmet C. Oz, M.D. and other celebrities, marching bands and of course, Santa Claus.

The ‘Santa Claus Lane,’ formerly Hollywood Boulevard during the Christmas season of 1928 at Highland Avenue.

The first parade, held on December 5, 1928, was known as “Santa Claus Lane” and featured Santa and Jeanette Loff (a last-minute replacement for Lili Damita), a Hollywood starlet. That evening, crowds thronged Christmas-tree lined Hollywood Boulevard (rechristened Santa Claus Lane) from Vine Street to La Brea Avenue. With Jeanette Loff, Santa Claus drove his reindeer-drawn sleigh east on the brilliantly illuminated course to La Brea, and returned over the same route.

The “parade” continued every evening during the Christmas season with a different prominent film player (Lili Damita showed up the following evening) each night.

Jeanette Loff poses on Santa’s sleigh for the first “Santa Claus Lane” parade in 1928

However, Jeanette Loff, the first starlet of what is known today as the Hollywood Christmas Parade, is probably little known today. At the time of the first Santa Clause Lane, Loff had appeared in twelve films since 1926, working her way up to costarring parts in Hold ‘Em Yale (1928) with Rod La Rocque, Annapolis (1928) with Johnny Mack Brown and Love Over Night (1928), again with La Roque.

Jeanette Loff was born on October 9, 1905 (most records claim 1906), in Orofino, Idaho to Marius and Inga (Loseth) Loff. Studio publicity claimed that her father was a famous Danish violinist, but he was in fact a barber and later a farmer.

Photo from Lewiston High School, Idaho in 1922. Arrow points to Loff.

Attempts by Pathe to make Loff a star.

After living for a time in Wadena, Canada, the Luff’s relocated to Lewiston, Idaho. After her high school graduation, the family moved to Portland, Oregon, where Jeanette enrolled at the Ellison & White Conservatory of Music where she learned to play the pipe-organ. When a local theater needed a pipe-organ player, Jeanette got the position. She worked her way up to playing at bigger and better Portland theaters.

Loff’s nude photograph by Edwin Bower Hesser.

Loff’s discovery in Hollywood is open to several versions. Whatever her introduction to films, in 1926, with her extremely wholesome looks, she earned a bit part in Universal’s The Collegian series followed by another extra part in Young April (1926) a film for Cecil B. DeMille’s company at Pathé, where she was put under contract.

DeMille cast her in two Westerns, followed by leading roles in the two films with Rod La Rocque. Over the next few years, she costarred in several good, but not outstanding films. At some point during her early career, she also posed for nude photographs.

Scene from The King of Jazz (1930).

Shortly after appearing as the first actress to ride in Hollywood’s premier Santa Claus Lane, Loff was brought to Universal to audition for The King of Jazz (1930), a possible million-dollar film they were producing. Executives were doubting their original choice for an important leading female role when producer Paul Bern arranged for her to audition. In the audition, she sang the number, “The Bridal Veil,” in a clear lyric soprano that impressed producers to give her the part.

In 1929, Loff’s parents had divorced, and her mother Inga and two sisters, Myrtle and Irene, moved to Los Angeles (her father, Marius, remained in Oregon until his death). That same year, Jeanette was also divorced from her first husband, traveling jewelry salesman Harry Roseboom whom she had secretly married in 1927. She reportedly had affairs with Gilbert Roland, Paul Bern–who tried unsuccessfully to cast her in a film–and lyricist Walter O’Keefe.

After making three more films over the next year, she grew tired of Hollywood and moved to New York, struggling to find stage roles, appearing only in the short-lived Broadway musical, Free for All, which closed after twelve days.

St. Louis Woman (1934), Jeanette Loff’s failed attempt at comeback.

In 1933, she returned to Hollywood when she heard that Universal was planning to re-release The King of Jazz. Thinking it would revive her career, she accepted the leading role in St. Louis Woman (1934) with Johnny Mack Brown (she also worked with Brown in Annapolis) for a poverty row studio. The film did poorly, but she made two shorts and three more films that same year, none of them money-makers. Her last film was Million Dollar Baby (1934) for Monogram Pictures.

From then on, she retired from films. In 1935, she married liquor salesman, Bertram “Bert” Friedlob. The following year, Friedlob produced Bert Wheeler’s Hollywood Stars in Person revue and included Loff in the cast.

Her marriage to Friedlob was rocky; he was a womanizer who had affairs with Lana Turner and many others.

702 North Crescent Drive, Beverly Hills where Jeanette Loff ingested ammonia. (PLEASE NOTE: This is a private home. DO NOT disturb the residents)

On August 1, 1942, Loff ingested ammonia at her Beverly Hills home at 702 North Crescent Drive; she was treated for mouth and throat burns at Hollywood Presbyterian Hospital where she died three days later. Loff was only 35.

Jeanette Loff’s death certificate (click on image to enlarge)

 

The coroner was unable to determine if her death was accidental or a suicide. Reportedly at the time, she was suffering from a stomach ailment and accidently took the wrong bottle of medication.

However, wouldn’t she have noticed the ammonia smell? In any event, her death certificate called her death a “probable suicide.” Surprising, some in her family maintained that she had been murdered, but never publicly offered proof.

Jeanette Loff’s niche at Forest Lawn’s Great Mausoleum. Her sister Myrtle is interred with her. (Find-a-Grave)

 

Jeanette Loff, the Hollywood Christmas Parade’s first hostess, was cremated and interred at Glendale’s Forest Lawn in the Great Mausoleum (Protection Columbarium).

Bert Friedlob later produced several films including The Star (1952) with Bette Davis and Tyrone Power’s Untamed (1955). Friedlob died in 1956.

 

Happy Thanksgiving 2017

November 23rd, 2017