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The Hollywood sign’s history

Posted by Allan Ellenberger on Feb 14th, 2010
2010
Feb 14

HOLLYWOOD HISTORY

The story of the Hollywood sign

 

 

By Allan R. Ellenberger
February 14, 2010

 

The Hollywood Sign has recently been in the news because of developers attempts to build condominiums on nearby Cahuenga Peak. A move is on to raise money to buy the land and turn it over to the city of Los Angeles to become a part of Griffith Park and thus save the pristine view from the flats of Hollywood. To aid its case, the sign has been covered to read, “Save the Peak.”

 

The Hollywood Sign has had a remarkable and turbulent history and has endured its share of problems, including a suicide leap from the H, squabbles over who should maintain it, markings from mountain-climbing spray painters, hassles among community groups about its worth, and several threats over the years to tear it down.

 

The sign has been a major part of the local scenery for more than 86 years, longer than most city landmarks such as Grauman’s Chinese, City Hall, the Shrine Auditorium and UCLA. It even predates Mulholland Drive and is decades older than any freeway.

 

As most know, the Hollywood sign is the remnant of an advertisement for a 640-acre real-estate development. When it was erected in 1923 the sign said HOLLYWOODLAND, the name of the housing development on the slope just below it. The sign, however, was an afterthought.

 

As with many Hollywood origins, the sign’s beginnings also have more than one version. The one I chose for this article goes as follows:

 

 

In the spring of 1923, John Roche, a 26 year-old advertising and promotional man, was working on a brochure for the Hollywoodland subdivision. He had drawn in proposed home sites, streets and equestrian trails. Behind them, on the side of Mt. Lee, he had penciled in HOLLYWOODLAND.

 

When Roche arrived at the office of one of the project’s developers, Harry Chandler, then publisher of the Los Angeles Times, with the drawing, Roche says Chandler liked the idea and wanted to know if Roche could actually put up a sign that could be seen all over Los Angeles.

 

To get a good perspective, Roche went to Wilshire Boulevard, then a little, partially asphalted road, to see if he could see the mountain from there. Roche took photographs and then made drawings of the Hollywood hill. Roche determined that each letter would have to be 50 feet high to be visible from that distance. When he reported to Chandler that such a sign would be seen that far, the project began.

 

“I made a sketch almost that big,” Roche explained in 1977. “I took it to Mr. Chandler’s office about 11 one night – he sat in his office until midnight every night and would talk to anybody – and he said, ‘Go ahead and do it.’ We didn’t have engineers or anything. We just put it up.”

 

 

As Roche had determined, each individual letter was made 50 feet high and 30 feet wide. They were put together on metal panels, each three-by-nine-feet, and painted white. The next step was attaching the panels to a framework that consisted of wires, scaffolding and telephone poles, which were brought up the steep hillside by mules.

 

Fifty to 100 laborers dug the holes with pick axes and shovels. An access road was completed so the enormous sheet metal letters could be brought in. The sign was built in about 60 days at a cost of $21,000, Roche said. “I think we built it faster than you could today (1984).” Roche recalled the sign being lighted, but insisted there were not lights on the original HOLLYWOODLAND. “That came sometime later,” he said.

 

Regardless, at some point the sign was illuminated at night by a series of 4,000 20-watt bulbs that were evenly spaced around the outside edge of each letter. This required the services of a caretaker, Albert Kothe, who lived in a cabin behind the first “L” and maintained the sign and its lighting system. To replace burned out bulbs, Kothe would climb onto the framework behind each letter, new light bulbs tucked in his shirt.

 

Since it was planned to promote real-estate, it was not designed to survive the sale of the last lot. Public sentiment, however, led to keeping the sign long after its commercial function was over.

 

During the sign’s heyday, many stars bought homes in Hollywoodland. The highest lot above the sign was sold to comedy producer Mack Sennett, but he never built there. Sennett did use the sign, though, to pose bathing beauties between the O’s for publicity stills.

 

There have been rumors of several suicides from the sign, especially during the Depression years, but the only acknowledged one occurred in 1932, when a young actress named Peg Entwistle, who came to Hollywood from the Broadway stage the previous year, jumped to her death from the H.

 

In 1939, the lights were extinguished when the maintenance fund was discontinued by the realtors. It’s rumored that all 4,000 bulbs were stolen.

 

In 1945 the development company that owned it donated the sign and the land surrounding it to the city’s Recreation and Parks Commission as an adjunct parcel to Griffith Park. The sign by this point had been neglected and vandalized for several years.

 

The “H” falls down after a storm (LAPL) 

 

In January 1949 the H blew down in a windstorm, and nearby residents complained that the sign was a hazard and an eyesore. On January 6, the Recreation and Parks Commission announced that the sign would be torn down. They denied a request of the Hollywood Chamber of Commerce to alter and repair the sign to read Hollywood.

 

Several days later, Councilman Lloyd G. Davies (who represented Hollywood) introduced a resolution before the City Council that the Chamber of Commerce would repair the sign, at an estimated cost of $5,000, furnish bond to guarantee its maintenance and provide the city with proper liability coverage, if the parks commission would consent. Davies said his district was sensitive about becoming known as “ollywood.”

 

The parks commission later reversed its decision and allowed the first nine letters to be repaired and cut down the last four, to read HOLLYWOOD, therefore transforming it from a commercial display into a community one.

 

By the early 1960s, weather again had taken a strong toll on the sign’s condition. At a cost of $4,500, it was restored by the Kiwanis. At irregular intervals, several civic groups and the metal facing repainted, but little structural maintenance was done.

 

In 1973, the city once again threatened to tear down the sign. The Hollywood Chamber of Commerce and local radio station, KABC began a campaign to “Save the Sign,” hoping to solicit $15,000 from the public to finance structural repairs, replacement of fallen facing panels and a fresh coat of paint. That same year, the Los Angeles Cultural Heritage Board designated it a monument, thus giving it dignity but no money.

 

One woman sent the repair fund a large check with a note: “My little girl in 1925 learned to spell from the sign.” Another recalled a proposal of marriage made to her in 1944 up near the sign; she “foolishly” rejected it but wondered how many accepted proposals were made there. A third woman calculated that if “All the couples who parked up there sent in $1, there would be more than enough.” Fortunately the campaign was successful and the sign received a facelift and a reprieve — but it wouldn’t last for long.

 

On January 1, 1976, several young men, to mark the change in the marijuana law in California, masked the OOs with EEs made from white sheets. It read HOLLYWEED for a day.

 

Just a year later, in January 1977, the D became wobbly because of recent rainstorms and there was concern about how long it would stay in place. Up close, the sign creaked and rattled, even in a light wind. Its timbers were rotting. Sheet metal, rusted and corroded, fell from its face and loose securing cables dangled from some of the 50-foot high letters.

 

It was estimated that a replacement sign would go as high as $120,000. To generate interest in preserving the sign, a press conference was held at the base of the sign with invitations sent out accompanied by a snake bite kit.

 

The chamber hoped to use money raised in 1975 by KIIS radio station to do some cosmetic work on the landmark. “But the sign is in such bad shape it will do us no good to raise small amounts of money,” said Michael Sims, executive director of the Hollywood Chamber of Commerce. “We’re either going to lose it or take care of it. That’s going to be up to Hollywood. What we really need now is a guardian angel.”

 

A few months later, in April 1977, the sign was altered to read HOLYWOOD for Easter Sunrise service, viewable from the Hollywood Bowl.

 

The Hollywood sign in 1978 (LAPL)

 

The following winter, the final blow came as wind and heavy rainstorms once again took a toll on the sign. The top of the first O fell off, the Y buckled inward toward the hillside, and the last O collapsed completely.

 

A campaign was established once again to “Save the Sign.” Eventually, after several efforts to raise money was not sufficient, nine donors came forward, each choosing a letter, and contributed $27,777 each. The donors included: (H) newspaper publisher, Terrance Donnelly; (O) Italian movie producer, Giovanni Mazza; (L) Les Kelly (Kelly Blue Book); (L) Gene Autry; (Y) Hugh Heffner; (W) Andy Williams; (O) Warner Bros. Records; (O) Alice Cooper, in memory of Groucho Marx; (D) Dennis Lidtke.

 

The new letters were made of steel, and was unveiled on Hollywood’s 75th anniversary, November 14, 1978.

 

Caltech students pose for photo after altering the Hollywood sign (LAPL)

 

Over the following years unauthorized alterations have been made to the sign. In July 1987, it was changed to OLLYWOOD, (Ollie North) during the Iran-Contra hearings. During the Gulf War it read OIL WAR and in 1993, 20 members of UCLA’s Theta-Chi fraternity changed it to GO UCLA. They were charged with trespassing and this prompted the installation of a security system featuring video surveillance and motion detection. However, it didn’t prevent another institution of learning to alter it to CALTECH ten years later.

 

That brings us to the recent alteration of SAVE THE PEAK, to help raise money to purchase the 138-acre parcel to the west of the sign on Cahuenga Peak, preventing possible development that would permanently spoil the view. The land would become part of Griffith Park.

 

For more information on how to help, go to: http://www.savehollywoodland.org/

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Hollywood – in the beginning

Posted by Allan Ellenberger on Dec 3rd, 2009
2009
Dec 3

HOLLYWOOD HISTORY

Hollywood, the magnificent foothill town!

 

Hollywood-early-street

An early Hollywood street, circa 1890s (LAPL)

 

Below is an ad that appeared in the Los Angeles Times on November 13, 1888 to advertise the sale of property in the new community of Hollywood – an interesting read. The seller is H.H. Wilcox, the founder of Hollywood.

 

 

hollywood!

 

 

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Thanksgiving in Hollywood, 1931

Posted by Allan Ellenberger on Nov 26th, 2009
2009
Nov 26

HOLLYWOOD HISTORY

How Hollywood stars celebrated Thanksgiving in 1931

 

thanksgiving

 

Hollywood’s basis for Thanksgiving sometimes ranged from gratitude to an indulgent fate for the renewal of an option to thanks for a new divorce. But whatever the individual cause for thanks. the favored of filmdom in 1931 joined the rest of the country in celebrating the Thanksgiving season.

 

Marlene Dietrich observed the holiday entertaining a few guests and, for the occasion, allowed little Maria to dine with the grown-ups. Others who celebrated quietly at home were Dolores Costello and John Barrymore who entertained Lionel Barrymore and Helene Costello; Kay Francis and her husband, Kenneth McKenna; Buster and Natalie Talmadge Keaton, their two sons, and Norma and Constance Talmadge; Vivian Duncan and Nils Asther and their new daughter, Evelyn. The Robert Montgomery’s, also assisted their young daughter (five-week old Martha who died at 14 months of spinal meningitis) in her first Thanksgiving, while the Reginald Denny’s also had their young son to initiate.

 

Ruth Chatterton and Ralph Forbes travelled to Arrowhead for the occasion. Marie Dressler, accompanied by her house guest, Lady Ravensdale, and Claire du Brey, drove to the desert and dined at the La Quinta Hotel. Wallace Beery spent Thanksgiving in New York, as did Joan Crawford and Douglas Fairbanks, Jr.

 

Clark Gable spent the holiday in the mountains. Jimmy Durante cooked his own turkey, decorating it with  an original dressing, but declining to reveal the recipe.

 

Ben Lyon and Bebe Daniels celebrated the day in San Francisco with the opening of Bebe’s play, The Last of Mrs. Cheney. Janet Gaynor was Europe-bound, accompanied by her husband, Lydell Peck and mother. Maurice Chevalier  was joined by his wife, actress Yvonne Vallee,  for his first Thanksgiving. Tallulah Bankhead arrived in town for formal dinner plans. Two new sets of newlyweds — June Collyer and Stuart Erwin and Carole Lombard and William Powell — observed the day at home.

 

Victor MacLaglen presided over a huge dining table which was a part of the Tuder furniture imported from England for his Flintridge home.

 

From several places across the country, the Will Rogers clan collected in time for turkey. Will, Jr. was home from Stanford, and Jimmy arrived from Roswell, New Mexico.

 

Wherever you are and whatever your plans, I hope you have a fabulous Thanksgiving. 

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Lucy’s First Hollywood Home…

Posted by Allan Ellenberger on Apr 6th, 2009
2009
Apr 6

HOLLYWOOD HISTORY

Lucy the Red?

 

Lucille Ball

 

By Allan R. Ellenberger

  

Lucille Ball bought this house (below) at 1344 N. Ogden Drive for her family shortly after arriving in Hollywood in the 1930s. Lucy lived here with her family for a couple of years before moving out on her own. The family remained and it was here that her grandfather held Communist Party meetings and where he talked her, and her mother and brother into registering as Communists. This information surfaced in 1953 during the Red Scare and Lucy was forced to testify before HUAAC, who believed her explanation.

  

Lucille Ball's home

 1344 N. Ogden Drive, Hollywood

_____

 

Lucille Ball's voter registration

 

Lucille Ball’s voter registration card (UCLA Libary Digital Collection)

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TCM on Hollywood History series…

Posted by Allan Ellenberger on Mar 17th, 2009
2009
Mar 17

HOLLYWOOD HISTORY

TCM to explore Hollywood history in 10-part series

 

 TCM

 

Mon Mar 16, 2009
Reuters
By Nellie Andreeva

 

LOS ANGELES (Hollywood Reporter) – “Moguls and Movie Stars: A History of Hollywood,” a 10-part documentary series about the American film industry, is in the works from Turner Classic Movies.

 

Set to premiere in 2010, “Moguls and Movie Stars” will consist of 10 one-hour documentaries, each focusing on a different era of movie history, from the invention of the first photographs that moved to the computer-driven imagery of the present. Each installment will feature rarely seen photographs and film footage, clips from memorable American movies and interviews with distinguished historians and major Hollywood figures.

 

The cable network’s announcement that it has commissioned the series arrived, coincidentally, on the same day that HBO said it’s teaming with “Sopranos” creator David Chase for a dramatic miniseries chronicling the evolution of the Hollywood movie industry.

 

“Our story will span more than 100 years of inventiveness and entertainment,” said Jon Wilkman, who will write and produce the TCM series. “From Thomas Edison to Steven Spielberg, from Charlie Chaplin and Mary Pickford to Sean Penn and Kate Winslet, we’ll tell the stories of moguls and movie stars, the lives they’ve lived, the movies they’ve made and the impact they’ve had on lives around the world.”

 

Bill Haber’s Ostar Productions and TCM are producing the project.

 

(Editing by Sheri Linden at Reuters)

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Charlie Chaplin in World War I…

Posted by Allan Ellenberger on Jul 13th, 2008
2008
Jul 13

World War I

Charlie Chaplin

 

Douglas Fairbanks lifting up Charlie Chaplin
at a war bonds rally in New York City 

 

By Allan R. Ellenberger 

 

During the Great War, Charlie Chaplin, Mary Pickford, Douglas Fairbanks, and other film stars spoke at bond rallies that helped sell $18.7 billion in Liberty Bonds.

 

Shortly before the end of World War I, it was speculated that comedian Charlie Chaplin may be drafted as of June 1, 1918. “I’ve always been ready and am still ready to serve my country and the cause of liberty whenever it was necessary for me to go,” said Chaplin just before he left on a Liberty Bond rally in the south.

 

Chaplin appeared in four towns daily for the  Liberty Loan cause, passing up Pullman cars and travelling chair cars, resorting to autos and freights for the purpose of making towns on time. In some towns where there were no public halls, meetings were held in tobacco warehouses. At Raleigh, North Carolina, Chaplin raised $92,000 for Liberty Bonds and offered to kiss all little girls who bought bonds. While he enjoyed the osculator ceremonies, he had to discontinue the practice merely on the account of the time consumed. The age limit was not stated.

 

Below is Charlie Chaplin’s World War I registration card, dated June 5, 1917. At the time he was living at the Los Angeles Athletic Club and working for Lone Star Co. (click on image to enlarge)

  

  

 

 

 (National Archives)

 

 ___________________________________

 

 

 

 

Cecil B. DeMille on Wallace Reid…

Posted by Allan Ellenberger on Jun 29th, 2008
2008
Jun 29

Cecil B. DeMille Talks About…

 __________

 

Wallace Reid

 

 

  

Wallace Reid, one of  the outstanding stars of his time, was first brought to DeMille’s  attention in D. W. Griffith’s Birth of a Nation (1915).

 

“He [Reid] played the part of blacksmith in the picture, and I was very impressed with the marvelous fight he put up. He was probably on the screen not more than seventy-five feet, but his magnificent physical strength and appearance was striking.

 

“However, Wally wasn’t very much of an actor in those days. He was stiff and rather wooden, and it was difficult to make him unbend. I sent for him and we had a chat. He was very much a kid, but I put him under contract fro a small amount, something like $60 or $75 a week. I gave him important leads to do and later public opinion made a star out of him.

 

“The first thing he did for me was with Geraldine Farrar in Maria Rosa (1916), then with Farrar in Carmen (1915), and later with the same star in Joan the Woman (1917). Then I decided to allow him to carry a picture, without starring in it, and I called the picture The Golden Chance (1915). Cleo Ridgely played opposite him in it, and it proved indeed to be Wally’s golden chance. It was a big success and Wally was a very big success in it.”

— Cecil B. DeMille

 

NOTE: I think DeMille had some problems with his chronology

 

The preceding is taken from an interview that DeMille gave the Los Angeles Times on August 21, 1932.

 

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Memorial Day Observance…

Posted by Allan Ellenberger on May 26th, 2008
2008
May 26

Memorial Day

 

 

 

Memorial Day or Decoration Day, began in 1868 when members of the Grand Army of the Republic heeded the request of their commander, General John A. Logan, to decorate the graves of their fallen compatriots. It has since become the day on which the United States honors the dead of all its wars and is observed as a legal holiday in most states. National services are held at the Tomb of the Unknown Soldier in Arlington, Virginia.

 

Following are four entertainment casualties during World War II.

 

  

 

CAROLE LOMBARD (1908-1942) -Popular comedienne of films during the 1930s, most notably in Twentieth Century (1934), My Man Godfrey (1936) and Nothing Sacred (1937). In January 1942, Lombard had sold over two-million dollars worth of war bonds in her home state of Indiana. Anxious to return to her husband, Clark Gable, she chose to take a plane. The plane crashed into a mountain outside Las Vegas. Everyone on board was killed, including Lombard’s mother, Bessie Peters and MGM publicity man, Otto Winkler.

_______________________________________ 

 

TAMARA (1910-1943) – The Russian-born radio singer and Broadway actress who made popular such songs as “Smoke Gets in Your Eyes,” “Love for Sale” and “Get Out of Town.” She was one of twenty-four entertainers, foreign correspondents and business men who were killed when a USO Yankee Clipper crashed in the Tagus River near Lisbon on February 22, 1943. Also on board was actress and singer, Jane Froman, who was severely injured in the crash. She was rescued by the clipper’s co-pilot, John Curtis Burn, whom she married five years later.

_______________________________________

 

 

LESLIE HOWARD (1893-1943) – British-born actor best known for his role as Ashley Wilkes in the popular film classic, Gone with the Wind (1939). Howard died when he was returning from Lisbon and his plane was shot down by a German Junkers Ju 88 over the Bay of Biscay. His body was never found.

  ______________________________________

 

CHARLES KING (1889-1944) – Vaudeville entertainer who appeared in a number of Hollywood films, most notably the Academy Award winning, Broadway Melody (1929). King died of pneumonia in London while entertaining the troops.

 ______________________________________

 

The Laemmle Building

Posted by Allan Ellenberger on May 1st, 2008
2008
May 1

Hollywood and Vine:

A History

 

by Allan R. Ellenberger

 

Arguably the most famous intersection in the world, Hollywood and Vine sometimes disappoints tourists who search it out. Yesterday’s fire at the intersections northwest corner made me think about its history. The intersection first became famous in the 1930s because many of Hollywood’s important radio stations were located nearby.  “Brought to you from Hollywood and Vine” was a familiar opening to many early radio broadcasts.

 

Historic 1920s office buildings are located on three of its corners. On the northeast corner is the Equitable Building (1929), a Gothic Deco commercial building, designed by Aleck Curlett. The B. H. Dyas building (1927) on the southwest corner at one time housed The Broadway-Hollywood department store. It’s famous sign still stands on its roof. And on the southeast corner is the Taft Building (1923), by architects Walker & Eisen in the Renaissance Revival style. This building once housed offices for Charlie Chaplin, Will Rogers, Hedda Hopper, Photoplay magazine and the Academy of Motion Picture Arts and Sciences.

 

On the northwest corner is the building devasted by yesterdays fire. At first glance it may not be mistaken for a Hollywood landmark, however, it was built in 1932-1933 by Universal founder, Carl Laemmle and bore his name (Laemmle Building) for many years. Designed by famed architect, Richard Neutra in the International Style, the building has been altered many times over the decades (beginning in 1940) and no longer retains any of its original features.

 

Below are photos from the Laemmle Buildings past:

 

Vine Street at Hollywood Blvd. in 1907. The house on the left is the
approximate location of the Laemmle Building

 

The former Laemmle Building in the 1950s

 

The Laemmle Building’s (left) incarnation as a Howard Johnson’s Restaurant

 

 

 The former Laemmle Building in the 1990s

 

Currently, the building housed the Basque Nightclub and Restaurant (6263 Hollywood Blvd.), a popular celebrity hangout. Actress Lindsay Lohan recently celebrated her 21st birthday at Basque and rap star Kanye West partied there earlier in April. Scenes from the movie Ocean’s Eleven were filmed there and the property had recently been sold as part of a renovation renaissance in Hollywood.

 

 

 

As the intersection appeared yesterday morning (Al Seib/Los Angeles Times)

 

Sadly, the 75 year-old Laemmle Building’s future is unclear. It’s not known at this time if the building is a total loss and will be demolished or if it can be saved. Once it’s fate is known, it will be reported here.

 

 (Bob Chamberlain/Los Angeles Times)

 

Myrna Loy

Posted by Allan Ellenberger on Apr 7th, 2008
2008
Apr 7

Venice High grads work for landmark statue’s return

 

Actress Myrna Loy is little known by today’s students, but others want to return history to the campus.

 

 loy1.jpg

 

Columnists

 

By Sandy Banks

Los Angeles Times, April 5, 2008

 

Movie star Myrna Loy has passed from legend to relic status on the Venice High campus.

 

For 80 years, a statue she posed for as a Venice student was a landmark on the aging campus. But most Venice students have never seen it; it’s been hidden in a storage shed since today’s seniors were freshman. READ MORE

 

**************************************

 

Myrna Loy statue

Myrna Loy statue that at one time stood in front
of Venice High 

 

myrnastatuebroken.jpg

Myrna Loy statue broken and in storage
(photo by John McArthur)

 

For additional information and photos, see Venice High Class of ’57 site

 

 

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