LA’s Graveside Companion
BOOKS
LA’s Graveside Companion:
Where the V.I.P.s R.I.P.
By Steve Goldstein

A perfect gift for your history and graveyard lovers!
Click here to purchase LA’s Graveside Companion
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Between 1917 and 1941, Hollywood studios, gossip columnists and novelist featured an unprecedented number of homosexuals, cross-dressers, and adulterers in their depictions of the glamorous Hollywood lifestyle.
Actress Greta Garbo defined herself as the ultimate serial bachelorette. Screenwriter Mercedes De Acosta engaged in numerous lesbian relationships with the Hollywood elite. And countless homosexual designers brazenly picked up men in the hottest Hollywood nightclubs. Hollywood’s image grew as a place of sexual abandon.
This book demonstrates how studios and the media used images of these sexaully adventurous characters to promote the industry and appeal to the prurient interests of their audiences. (from the book jacket)
Brett L. Abrams is an archivist with the National Archives and Records Administration.
Click here to purchase Hollywood Bohemians
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Karl Dane’s life was a Cinderella story gone horribly wrong. The immigrant from Copenhagen was rapidly transformed from a machinist to a Hollywood star after his turn as the tobacco-chewing Slim in The Big Parade in 1925. After that, Dane appeared in more than 40 films with such luminaries as Lillian Gish, John Gilbert and William Haines until development of talkies virtually ruined his career. The most famous casualty of the transition from silent to sound film, Dane reportedly lost his career because of his accent. He was broke and alone at the height of the Depression and committed suicide in 1934.
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Laura Petersen Balogh is a teacher and writer in Madison, New Jersey. Her research on Karl Dane has been published in various magazines across the United States and Denmark.
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It is currently 100 degrees in Hollywood (3 pm) and at least ten degrees hotter in the areas to the north where wildfires are sending massive plumes of smoke into the sky.
Click here to read coverage of the La Cañada Flintridge fire in Los Angeles
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“People who like films and stars of that era, from the 1920s on through the 1950s, I think, would like to have such a personally-written account of some of the highlights of an actress’s life. Most picture us all as rich and famous and never hear of another side. I’ve even thought of the title: The Real Joyce Compton: Behind the Dumb Blonde Movie Image. Sound good? It’s a thought.”
–Excerpt of a letter from Joyce Compton to
Michael G. Ankerich, 27 January 1988
The Real Joyce Compton: Behind the Dumb Blonde Movie Image is the story that Joyce Compton, one of the screen’s finest comediennes and most versatile actresses, wanted told.
Her career, which consisted of an estimated 200 films, stretched from 1925 to 1957. Breaking into films during the silent era, she appeared in a string of ingénue roles, imagining herself as a new Mae Murray, but it was after the beginning of sound that Compton found her niche in comedy.
In her own words, she recounts her frustrations over studio politics and shares her experiences of working and socializing with such screen favorites as Clara Bow, Cary Grant, Marlene Dietrich, Joel McCrea, George O’Brien, John Wayne, Humphrey Bogart, Johnny Mack Brown, Janet Gaynor, and George Raft.
Compton opens up about her often overly protective parents, her off-screen romances, her one heartbreaking attempt at marriage, her deep religious faith, and her struggle to support her family after her film career ended.
With candor and insight that only someone who was there can share, Compton discusses the transition from silents to talkies; working with incompetent directors in those early sound movies; living on locations; the competition she experienced with the “star” actresses of the studio; freelancing versus working under a studio contact; and the day-to-day life of an actress working in early Hollywood.
The Real Joyce Compton begins with a biography of the actress, written by co-author Michael G. Ankerich, based on formal interviews, conversations, and correspondence over their 10-year friendship. The book also contains a detailed filmography of Compton’s film appearances and is lavishly illustrated with over 80 photographs, many of which are from Compton’s own personal collection.
Ankerich is the author of Broken Silence: Conversations With 23 Silent Film Stars and The Sound of Silence: Conversations with 23 Stage and Screen Personalities Who Made the Transition from Silents to Talkies.
He is currently working on Dangerous Curves atop Hollywood Heels: The Lives, Careers, and Misfortunes of 22 Hard Luck Girls of the Silent Screen. Dangerous Curves, based partly on interviews with family, friends, and relatives, will feature such actresses as Agnes Ayres, Belle Bennett, Olive Borden, Gladys Brockwell, Grace Darmond, Marguerite de la Motte, Elinor Fair, Margaret Gibson, Juanita Hansen, Wanda Hawley, Natalie Joyce, Kathleen Key, Barbara La Marr, Martha Mansfield, Mae Murray, Mary Nolan, Marie Prevost, Lucille Ricksen, Dorothy Sebastian, Eve Southern, Alberta Vaughn, and Clara Kimball Young.
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