Archive for October 14th, 2010

Niles Essanay Silent Film Museum on ’60 Minutes’

Thursday, October 14th, 2010


Silent film historian interviewed for ’60 Minutes’




David Kiehn, a noted scholar and historian for the Niles Essanay Silent Film Museum and recognized on a national level with his expertise in American silent film history will be interviewed by Morley Safer in a segment of 60 Minutes this Sunday, October 17 on CBS at 7:00 p.m. about David’s research into the making of the Miles Bros. film A Trip Down Market Street (1906).
It started with Kiehn’s curiosity on the assumed date A Trip Down Market Street was made in San Francisco near the turn-of-the-last-century. The Library of Congress had listed the film as being made in September of 1905 based on a few factors. David did extensive research and was able to not only ascertain who the film makers were (previously unknown) but also pinpoint the date of the film creation to April 14, 1906 – mere days before the San Francisco Earthquake and Fire. In fact, the negative for the film was on its way to New York on an Eastbound train hours before the Big One struck.
Click below to watch A Trip Down Market Street
Click here for more information on the Niles Essanay Silent Film Museum

‘On Stage in Fashion’ at Lincoln Center

Thursday, October 14th, 2010


“On Stage in Fashion” exhibit at Lincoln Center



The World of Fashion and Performance Collide in the Brand New Free Exhibition On Stage In Fashion: Design for Theater, Opera, and Dance at The New York Public Library for the Performing Arts starting on October 14


October 14, 2010, to January 22, 2011

The Donald & Mary Oenslager Gallery

@ The New York Public Library for the Performing Arts

40 Lincoln Center Plaza.

Admission is free


Works of such prominent designers as Chanel, Bendel, Mainbocher, de la Renta, Mizrahi and many others on display


New York City’s most vital and glamorous industries – entertainment and fashion – have been intertwined throughout the 20th and 21st centuries.  The brand new exhibition On Stage In Fashion: Design for Theater, Opera, and Dance, celebrates the collaborations of performers with fashion designers, who together brought contemporary clothing style to theater and dance.  The couture, sportswear and retail designers recognized that the introduction of clothing on stage would promote it to their targeted market, the performance audience. Co-curated by The New York Public Library for the Performing Arts and the Museum of the City of New York, the items on display from both organizations as well as the Metropolitan Opera, New York City Opera, American Ballet Theatre, etc.  illustrate over 100 years of these collaborations for mutual benefit. All designers will be represented by photographs. Design for dance and recent theater productions will be documented in video.


“The remarkable items amassed in On Stage In Fashion represent a century of relationships between performance and fashion,” said Jacqueline Z. Davis, Barbara G. and Lawrence A. Fleischman Executive Director for the Performing Arts. “The exhibition illustrates the indelible impact these industries have on one another.  We are pleased to be working with the Museum of the City of New York.”


The garments, photographs, ephemera and media on display focus on two concurrent forms of collaboration throughout the 20th century and into the present. In modern-dress plays, couture and 7th Avenue fashion designers conspired with actors and actresses to provide clothes that could convey vital facts about their characters – income, social status, aspirations, and fatal flaws. The stage appearances served to introduce and popularize designers from Chanel and Lanvin to Mainbocher and Hattie Carnegie to theater-goers and, through promotional articles and photographs, to the general public.  Performers endorsed fabric, hosiery and shoe manufacturers, while designers and providers of men’s fashion ran frequent advertisements in Playbill, house programs and other periodicals.


The gallery audience will be able to view amazing garments at close hand.   As well as the three dozen extraordinary examples of theater and couture garments from the Museum of the City of New York, they can see spectacular opera costumes from the Metropolitan Opera, New York City Opera, and examples of garments for movement from contemporary designers such as Donna Karan, Christian Lacroix, and Marc Jacobs that are on loan from American Ballet Theatre, Dance Theatre of Harlem, Dianne McIntyre/Sounds in Motion, Mark Morris Dance Group, Martha Graham Dance Company, New York City Ballet and Archives, San Francisco Ballet, and the Stephen Petronio Company. 


Some will document performers who favored one designer throughout their careers ranging from Fortuny robes for Julia Marlowe’s great Shakespeare roles, Billie Burke’s gowns from Lucile, Ltd (Lady Duff-Gordon),  Katharine Cornell’s timeless Valentina gowns  to Mary Martin’s iconic costumes for The Sound of Music, designed for her alone by Mainbocher.  Many performers requested clothes from Paris couture to suit their characters, such as the Chanels worn by Ann Andrews, Irene Bordoni, Ina Claire, and Gertrude Lawrence.  The forgotten early generation of American women designers, such as Mme. Francis, Peggy Hoyt, Sally Milgrim, and Elizabeth Hawes, will be well represented, as will sportswear innovators Bonnie Cashin and Tina Leser.   


Accompanying the exhibition will be public programs, and two series of screenings from The New York Public Library for the Performing Art’s Reserve Film and Video Collection. On Tuesdays at 2:30 p.m. from September 21 thru October 26 the series Not Off The Rack: High Fasion In The Movies will spotlight the work of some of the finest fashion designers ever to work in the American film industry, including Lady Duff Gordon (Lucile, Ltd.), Bonnie Cashin and Norman Norell and Halston.